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010 a| 2022061660;

020 a| 9780253066527q| (hardback);

020 a| 9780253066534q| (paperback);

020 z| 9780253066541q| (ebook);

035 a| (WaSeSS)ssj0002824423;

042 a| pcc;

043 a| f------;

049 a| EREEa| NEHH;

050 00 a| PN1995.9.D6b| F735 2023;

082 00 a| 070.1/82| 23/eng/20230424;

245 00 a| Francophone African women documentary filmmakersh| [electronic resource] :b| beyond representation /c| edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap.;

260 a| Bloomington, Indiana :b| Indiana University Press,c| [2023];

300 a| 195 pages :b| illustrations ;c| 24 cm.;

490 1 a| Studies in the cinema of the Black diaspora;

504 a| Includes bibliographical references and index.;

505 00 t| Introduction /r| by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap --t| Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s /r| by Florence Martin --t| Outsiders on the Inside: Rokhaya Diallo's Les marches de la libert©♭ as Activist Documentary /r| by Sheila Petty --t| Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat /r| by Melissa Thackway --t| Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fen©®tre ouverte /r| by El Hadji Moustapha Diop --t| Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017) /r| by Alexie Tcheuyap and F©♭lix Veilleux --t| Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014) /r| by Suzanne Gauch --t| Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat /r| by Herve Tchumkam --t| Ecological Representations in African Women Documentaries /r| by Suzanne Crosta --t| Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016) /r| by Sada Niang --t| Dancing with the Camera: Interview with Nadine Otsobogo /r| by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap.;

506 a| Available only to authorized users.;

520 a| "Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Documentary filmsz| Africa, French-speakingx| History and criticism.=| ^A290728;

650 0 a| Women motion picture producers and directorsz| Africa, French-speaking.=| ^A74259;

650 0 a| Motion picture producers and directorsz| Africa, French-speaking.=| ^A67780;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Crosta, Suzanne,d| 1958-?| UNAUTHORIZED;

700 1 a| Niang, Sada,d| 1953-?| UNAUTHORIZED;

700 1 a| Tcheuyap, Alexie.=| ^A1353528;

830 0 a| Studies in the cinema of the Black diaspora.=| ^A1334461;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=30349780;

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Francophone African women documentary filmmakers beyond representation / edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap.

Other author	Crosta, Suzanne, 1958-
Other author	Niang, Sada, 1953-
Other author	Tcheuyap, Alexie.
Format	Electronic
Publication Info	Bloomington, Indiana : Indiana University Press, [2023]
Description	195 pages : illustrations ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Documentary films--Africa, French-speaking. --History and criticism. Women motion picture producers and directors--Africa, French-speaking. Motion picture producers and directors--Africa, French-speaking.

Series	Studies in the cinema of the Black diaspora Studies in the cinema of the Black diaspora. ^A1334461
Contents	Introduction / by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap -- Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s / by Florence Martin -- Outsiders on the Inside: Rokhaya Diallo's Les marches de la libert©♭ as Activist Documentary / by Sheila Petty -- Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat / by Melissa Thackway -- Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fen©®tre ouverte / by El Hadji Moustapha Diop -- Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017) / by Alexie Tcheuyap and F©♭lix Veilleux -- Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014) / by Suzanne Gauch -- Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat / by Herve Tchumkam -- Ecological Representations in African Women Documentaries / by Suzanne Crosta -- Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016) / by Sada Niang -- Dancing with the Camera: Interview with Nadine Otsobogo / by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap.
Abstract	"Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2022061660
ISBN	9780253066527 (hardback)
ISBN	9780253066534 (paperback)
ISBN	(ebook)

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Francophone African women documentary filmmakers beyond representation / edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap.

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