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LEADER 02587cam 2200445 a 4500

001 ocm35548844;

003 OCoLC;

005 20141212131415.0;

008 960905s1998 nyua b 001 0 eng ;

010 a| 96035897;

020 a| 0820436968q| (alk. paper);

020 a| 9780820436968q| (alk. paper);

035 a| (Sirsi) o35548844;

035 a| (OCoLC)35548844;

049 a| EREM;

050 00 a| ML1727.8.P2b| S78 1998;

082 00 a| 792.5/0944/361090342| 20;

100 1 a| Spies, André Michael,d| 1948-=| ^A411277;

245 10 a| Opera, state, and society in the Third Republic, 1875-1914 /c| André Michael Spies.;

300 a| viii, 264 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Studies in modern European history,x| 0893-6897 ;v| vol. 23;

504 a| Includes bibliographical references (pages 227-258) and indexes.;

505 0 a| Introduction -- The administration of the opera -- The state and the ideology of the opera: Carmen or Jeanne d'Arc? -- The audience and the ideology of the opera -- The opera as public institution -- Forming public opinion: critics and Tout Paris -- Opera and cultural hegemony -- Epilogue: Background and impact of the librettists.;

520 a| Before the Great War, the opera was the most exclusive salon in Paris, rendezvous of the elites of the Belle Epoque. This work explores the social and political content of the opera and Opera-Comique repertoires as they responded to the ideological requirements of aristocratic and bourgeois audiences, to the political interests of Third Republic politicians who subsidized and supervised the opera, and to the ideas of prominent composers and librettists.;

610 20 a| Opéra-Comique (Paris, France)x| History.=| ^A64137;

610 20 a| Opéra de Parisx| History.=| ^A56776;

650 0 a| Music and state.=| ^A123187;

830 0 a| Studies in modern European history ;v| v. 23.=| ^A682312;

596 a| 3;

998 a| 648568;

999 a| ML1727.8.P2 S78 1998w| LCc| 1i| 30372010259577d| 6/27/2016e| 10/30/2011f| 7/15/2025g| 5l| MCSm| JMUSICn| 4r| Ys| Yt| MCSSBKu| 4/21/1999x| BOOKz| MCIRCo| .STAFF. enhanced 9/15/25 -jjab;

Opera, state, and society in the Third Republic, 1875-1914 / André Michael Spies.

Author/creator	Spies, André Michael, 1948-
Format	Book
Publication Info	New York : Peter Lang, ©1998.
Description	viii, 264 pages : illustrations ; 24 cm.
Subjects	Opéra-Comique (Paris, France)--History. Opéra de Paris--History. Opera--Social aspects. --France. --Paris. --19th century. Opera--Political aspects. --France. --Paris. --19th century. Opera--Social aspects. --France. --Paris. --20th century. Opera--Political aspects. --France. --Paris. --20th century. Music and state.

Series	Studies in modern European history, 0893-6897 ; vol. 23 Studies in modern European history ; v. 23. ^A682312
Contents	Introduction -- The administration of the opera -- The state and the ideology of the opera: Carmen or Jeanne d'Arc? -- The audience and the ideology of the opera -- The opera as public institution -- Forming public opinion: critics and Tout Paris -- Opera and cultural hegemony -- Epilogue: Background and impact of the librettists.
Abstract	Before the Great War, the opera was the most exclusive salon in Paris, rendezvous of the elites of the Belle Epoque. This work explores the social and political content of the opera and Opera-Comique repertoires as they responded to the ideological requirements of aristocratic and bourgeois audiences, to the political interests of Third Republic politicians who subsidized and supervised the opera, and to the ideas of prominent composers and librettists.
Bibliography note	Includes bibliographical references (pages 227-258) and indexes.
LCCN	96035897
ISBN	0820436968 (alk. paper)
ISBN	9780820436968 (alk. paper)

Opera, state, and society in the Third Republic, 1875-1914 / André Michael Spies.

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