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LEADER 02808cam 2200397 a 4500

001 ocm36458006;

003 OCoLC;

005 20141212131518.0;

008 970219s1997 vtua b 001 0 eng ;

010 a| 97003006;

019 a| 37301163;

020 a| 0860786439 (hardcover : alk. paper);

035 a| (Sirsi) o36458006;

035 a| (OCoLC)36458006;

049 a| EREM;

050 00 a| ML172b| .C763 1997;

082 00 a| 780/.9/022| 21;

100 1 a| Crocker, Richard L.=| ^A36843;

245 10 a| Studies in medieval music theory and the early sequence /c| Richard L. Crocker.;

260 a| Brookfield, VT :b| Variorum,c| 1997.;

300 a| 1 volume (various pagings) :b| illustrations ;c| 23 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Variorum collected studies series ;v| CS580;

504 a| Includes bibliographical references and indexes.;

505 00 t| Review of Hans Joachim Moser, 'Die Tonsprachen des Abendlandes' --t| Studies in the history of theory.t| Pythagorean mathematics and music (parts I and II) ;t| Artistoxenus and Greek mathematics ;t| 'Musica rythmica' and 'musica metrica' in antique and medieval theory ;t| Review of John Stevens, 'words and music in the middle ages' ;t| Alphabet noations for early medieval music ;t| Review of Michel Huglo, 'Les tonaires: Inventaire, analyse, comparaison' ;t| Hermann's major sixth ;t| Discant, counterpoint, and harmony ;t| A new source for medieval music theory ;t| Why did Zarlino re-number the modes? ;t| Review of Edward E. Lowinsky, 'tonality and atonality in sixteenth cenury music' --t| Studies in the early sequence.t| The troping hypothesis ;t| The repertory of proses at Saint Martial de Limoges in the 10th century ;t| Some ninth-century sequences ;t| Review of N. Goede, 'the Utrecht prosarium' ;t| The sequence ;t| The early Frankish sequence: A new musical form.;

520 a| This volume first addresses crucial problems in the history of ancient and medieval theory of music, searching for the appropriate technical concepts and tonal structure with which to understand medieval music. The second section presents the documentary foundation for Professor Crocker's work on the medieval sequence, and includes "The Troping Hypothesis", one of the first and most famous musicological exercises in deconstruction.;

650 0 a| Musicy| 500-1400x| History and criticism.=| ^A177511;

650 0 a| Music theoryy| 500-1400.=| ^A382149;

650 0 a| Sequences (Music)x| History and criticism.=| ^A93926;

830 0 a| Collected studies ;v| CS580.=| ^A355371;

596 a| 3;

998 a| 649509;

999 a| ML172 .C763 1997w| LCc| 1i| 30372010272745d| 4/28/2025e| 3/7/2025f| 2/25/2024g| 4l| MSTm| JMUSICn| 30q| 12r| Ys| Yt| MGESBKu| 6/22/1999x| BOOKz| MCIRCo| .STAFF. 0;

Studies in medieval music theory and the early sequence / Richard L. Crocker.

Author/creator	Crocker, Richard L.
Format	Book
Publication Info	Brookfield, VT : Variorum, 1997.
Description	1 volume (various pagings) : illustrations ; 23 cm.
Subjects	Music--500-1400. --History and criticism. Music theory--500-1400. Sequences (Music)--History and criticism.

Series	Variorum collected studies series ; CS580 Collected studies ; CS580. ^A355371
Contents	Review of Hans Joachim Moser, 'Die Tonsprachen des Abendlandes' -- Studies in the history of theory. Pythagorean mathematics and music (parts I and II) ; Artistoxenus and Greek mathematics ; 'Musica rythmica' and 'musica metrica' in antique and medieval theory ; Review of John Stevens, 'words and music in the middle ages' ; Alphabet noations for early medieval music ; Review of Michel Huglo, 'Les tonaires: Inventaire, analyse, comparaison' ; Hermann's major sixth ; Discant, counterpoint, and harmony ; A new source for medieval music theory ; Why did Zarlino re-number the modes? ; Review of Edward E. Lowinsky, 'tonality and atonality in sixteenth cenury music' -- Studies in the early sequence. The troping hypothesis ; The repertory of proses at Saint Martial de Limoges in the 10th century ; Some ninth-century sequences ; Review of N. Goede, 'the Utrecht prosarium' ; The sequence ; The early Frankish sequence: A new musical form.
Abstract	This volume first addresses crucial problems in the history of ancient and medieval theory of music, searching for the appropriate technical concepts and tonal structure with which to understand medieval music. The second section presents the documentary foundation for Professor Crocker's work on the medieval sequence, and includes "The Troping Hypothesis", one of the first and most famous musicological exercises in deconstruction.
Bibliography note	Includes bibliographical references and indexes.
LCCN	97003006
ISBN	0860786439 (hardcover : alk. paper)

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Music	Music Stacks	ML172 .C763 1997	✔ Available	Place Hold

Studies in medieval music theory and the early sequence / Richard L. Crocker.

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