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LEADER 02117cam 2200469 a 4500

001 ocm38966047;

003 OCoLC;

005 20141212131528.0;

008 980410s1999 nyua b 001 0 eng ;

010 a| 98011823;

020 a| 0791440974 (hc. : alk. paper);

020 a| 0791440982 (pbk. : alk. paper);

020 a| 0791441040 (pbk. : alk. paper);

020 a| 0791441032 (hc. : alk. paper);

035 a| (Sirsi) o38966047;

035 a| (OCoLC)38966047;

049 a| EREMa| NPEE;

050 00 a| ML3849b| .J39 1999;

082 00 a| 781.65/112| 21;

092 a| 781.6511b| J29d;

100 1 a| Jarrett, Michael,d| 1953-=| ^A412180;

245 10 a| Drifting on a read :b| jazz as a model for writing /c| Michael Jarrett.;

260 a| Albany, NY :b| State University of New York Press,c| 1999.;

300 a| xiv, 227 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| SUNY series, interruptions -- border testimony(ies) and critical discourse/s;

504 a| Includes bibliographical references and index.;

505 0 a| Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs.;

520 a| For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. This book examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.";

650 0 a| Written communication.=| ^A144903;

650 0 a| Jazzx| History and criticism.=| ^A54033;

650 0 a| Popular culture.=| ^A34627;

650 0 a| Criticism.=| ^A17343;

830 0 a| Interruptions.=| ^A379681;

994 a| E0b| ERE;

590 a| Little-311004--305131016455Y;

596 a| 3 5;

998 a| 649662;

999 a| ML3849 .J39 1999w| LCc| 1i| 30372010312236d| 7/17/2014e| 1/22/2008f| 4/25/2024g| 4l| MSTm| JMUSICn| 5p| $49.98r| Ys| Yt| MGESBKu| 7/22/1999x| BOOKz| MCIRCo| .STAFF. enhanced 1/25/24 -jjab;

Drifting on a read : jazz as a model for writing / Michael Jarrett.

Author/creator	Jarrett, Michael, 1953-
Format	Book
Publication Info	Albany, NY : State University of New York Press, 1999.
Description	xiv, 227 pages : illustrations ; 24 cm.
Subjects	Written communication. Jazz--History and criticism. Popular culture. Criticism.

Series	SUNY series, interruptions -- border testimony(ies) and critical discourse/s Interruptions. ^A379681
Contents	Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs.
Abstract	For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. This book examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention."
Local note	Little-311004--305131016455Y
Bibliography note	Includes bibliographical references and index.
LCCN	98011823
ISBN	0791440974 (hc. : alk. paper)
ISBN	0791440982 (pbk. : alk. paper)
ISBN	0791441040 (pbk. : alk. paper)
ISBN	0791441032 (hc. : alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3849 .J39 1999	✔ Available	Place Hold

Drifting on a read : jazz as a model for writing / Michael Jarrett.

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