Tools

LEADER 05965ncm 2200385 i 4500

001 on1478171575;

003 OCoLC;

005 20250120152059.0;

008 241211s1944 caustz gh n zxx ;

035 a| (Sirsi) o1478171575;

035 a| (OCoLC)1478171575;

048 a| wi01;

049 a| EREM;

050 4 a| MT502b| .G55 1944;

100 1 a| Gillette, Mickey.?| UNAUTHORIZED;

245 10 a| Mickey Gillette saxophone method.;

250 a| Complete edition.;

300 a| 1 score (187 pages) :b| charts ;c| 31 cm;

336 a| notated musicb| ntm2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

382 01 a| saxophonen| 1s| 12| lcmpt;

505 0 a| Book 1: Beginners. Lesson no. 1. Breathing ; Position of mouthpiece in mouth ; Production of tone -- Lesson no. 2. Tone -- Lesson no. 3. The reading of music ; Beating time -- Lesson no. 4. Tone ; Sharps and flats ; Half notes and half rests -- Lesson no. 5. Tone ; Slurred notes ; The natural sign -- Lesson no. 6. Tone ; Quarter notes and quarter rests -- Lesson no. 7. Summary of past lessons -- Lesson no. 8. Tone ; Eighth notes and eighth rests -- Lesson no. 9. Tone ; Technique or fast fingering ; Legato and staccato -- Lesson no. 10. Tone ; The tempo -- Lesson no. 11. Tone ; Time signatures ; Shades of tone -- Lesson no. 12. Shades of tone ; Eighth and sixteenth notes -- Lesson no. 13. Tone ; Sixteenth notes and sixteenth rests -- Lesson no. 14. Summary lesson ; Reeds for your saxophone -- Lesson no. 15. Tongueing ; Repeat signs ; Dotted notes and dotted rests -- Lesson no. 16. Tongueing ; Dotted eighth notes and dotted eighth rests ; Repeat signs -- Lesson no. 17. Tongueing ; A stressed attack ; The coda and coda sign -- Lesson no. 18. Extreme high and low tones ; Position of hands for new fingerings -- Lesson no. 19. Tongueing ; Manipulation of fingers -- Lesson no. 20. Tongueing ; Eighth triplets ; Tempo changes -- Lesson no. 21. Summary lesson ; Reeds for your saxophone -- Lesson no. 22 through 28. Dance series.;

505 0 a| Book 2: Advanced. Lesson no. 29. Study in C -- Lesson no. 30. Study in F ; Suggestions for attacks -- Lesson no. 31. Study in B flat -- Lesson no. 32. Study in E flat ; Throat adjustments for correct pitch -- Lesson no. 33. Study in A flat -- Lesson no. 34. Tone study ; Vibrato control ; Breathing ; Tone color -- Lesson no. 35. Study in D flat -- Lesson no. 36. Study in G flat ; Ear training -- Lesson no. 37. Study in C flat -- Lesson no. 38. Tone study ; Developing embouchure strength -- Lesson no. 39. Study in G ; Sight reading -- Lesson no. 40. Study in D ; Sight reading -- Lesson no. 41. Study in A ; Sight reading -- Lesson no. 42. Tone study ; Control in the three registers -- Lesson no. 43. Study in E ; Sight reading -- Lesson no. 44. Study in B ; Attacks in the lower register -- Lesson no. 45. Study in F sharp -- Lesson no. 46. Study in S sharp [Exercise in seven sharps] -- Lesson no. 47 through 57. Technique studies.;

505 0 a| Book 3: Professional. Lesson no. 58. Tone color ; Embouchure of alto and tenor -- Lesson no. 59. Suggestions for improved intonation -- Lesson no. 60. Intonation ; Rapid tongueing -- Lesson no. 61. Rapid tongueing -- Lesson no. 62. Rapid tongueing -- Lesson no. 63. Rapid tongueing -- Lesson 64. Rapid tongueing -- Lesson no. 65. Finger speed -- Lesson no. 66. Finger speed -- Lesson no. 67. Vibrato control -- Lesson no. 68. Vibrato control -- Lesson no. 69. Vibrato control -- Lesson no. 70. Tone control when playing pianissimo -- Lesson no. 71. Cut time -- Lesson no. 72. Care of reeds ; 3/2 time -- Lesson no. 73. Tempo di valse -- Lesson no. 74. 6/4 time -- Lesson no. 75. Tempo di marcia -- Lesson no. 76. 6/8 time in slow movement -- Lesson no. 77. Technical finger control -- Lesson no. 78. Advanced terms -- Lesson no. 79. Ease of playing -- Collection of daily studies -- Finger chart for notes above saxophone register.;

520 a| Book one (beginners) contains simplified fingering charts which are readily understood by the beginner. The basic treatment of time valuations as well as tone production are invaluable towards developing the student for orchestra work within the shortest possible time. The new system of throat control contained in this book will lessen the problem of intonation. The latter lessons are devoted exclusively to dance music as well as vibrato control, lip slurs, etc. Book two (advanced) is for the development of rapid finger technique. The necessary studies of scales, intervals and chords are presented in such a manner that the subject of simplified fingerings are readily understood. The rapid studies in all key signatures impart to the advanced student an ease of technique for any form of composition. The subjects of sight-reading and finger position are thoroughly discussed. The final technical studies in this book are highly recommended for the development of speed and intonation. Book three (professional) covers subjects not typically discussed in the average music book. The different rules as applied to alto and tenor saxophone are clearly stated. Several lessons are devoted to a new and easy system of rapid tongueing. For those professionals that are worried about intonation, this book will end their problems. The subject of tone and vibrato control is set forth in a plain and understandable manner. The collection of daily studies at the end of this book will in itself 'keep you up on your instrument.';

650 0 a| Saxophonev| Methods.=| ^A36900;

650 0 a| Saxophonex| Instruction and study.=| ^A36900;

949 a| MT502 .G55 1944w| LCh| JMUSIC6i| 1478171575o| jjam;

994 a| C0b| ERE;

596 a| 3;

998 a| 6509588;

999 a| MT502 .G55 1944w| LCc| 1i| 30372017749554d| 5/6/2026e| 1/16/2026f| 7/9/2025g| 2k| INTRANSITl| MCSm| JMUSICr| Ys| Yt| MCSSSCu| 12/18/2024x| SCOREz| MCIRCo| .STAFF. jjam;

Mickey Gillette saxophone method.

Author/creator	Gillette, Mickey
Format	Musical Score
Edition	Complete edition.
Publication Info	Hollywood, CA : Walter Jacobs, Inc., ©1944.
Description	1 score (187 pages) : charts ; 31 cm
Subjects	Saxophone--Methods. Saxophone--Instruction and study.

Contents	Book 1: Beginners. Lesson no. 1. Breathing ; Position of mouthpiece in mouth ; Production of tone -- Lesson no. 2. Tone -- Lesson no. 3. The reading of music ; Beating time -- Lesson no. 4. Tone ; Sharps and flats ; Half notes and half rests -- Lesson no. 5. Tone ; Slurred notes ; The natural sign -- Lesson no. 6. Tone ; Quarter notes and quarter rests -- Lesson no. 7. Summary of past lessons -- Lesson no. 8. Tone ; Eighth notes and eighth rests -- Lesson no. 9. Tone ; Technique or fast fingering ; Legato and staccato -- Lesson no. 10. Tone ; The tempo -- Lesson no. 11. Tone ; Time signatures ; Shades of tone -- Lesson no. 12. Shades of tone ; Eighth and sixteenth notes -- Lesson no. 13. Tone ; Sixteenth notes and sixteenth rests -- Lesson no. 14. Summary lesson ; Reeds for your saxophone -- Lesson no. 15. Tongueing ; Repeat signs ; Dotted notes and dotted rests -- Lesson no. 16. Tongueing ; Dotted eighth notes and dotted eighth rests ; Repeat signs -- Lesson no. 17. Tongueing ; A stressed attack ; The coda and coda sign -- Lesson no. 18. Extreme high and low tones ; Position of hands for new fingerings -- Lesson no. 19. Tongueing ; Manipulation of fingers -- Lesson no. 20. Tongueing ; Eighth triplets ; Tempo changes -- Lesson no. 21. Summary lesson ; Reeds for your saxophone -- Lesson no. 22 through 28. Dance series.
Contents	Book 2: Advanced. Lesson no. 29. Study in C -- Lesson no. 30. Study in F ; Suggestions for attacks -- Lesson no. 31. Study in B flat -- Lesson no. 32. Study in E flat ; Throat adjustments for correct pitch -- Lesson no. 33. Study in A flat -- Lesson no. 34. Tone study ; Vibrato control ; Breathing ; Tone color -- Lesson no. 35. Study in D flat -- Lesson no. 36. Study in G flat ; Ear training -- Lesson no. 37. Study in C flat -- Lesson no. 38. Tone study ; Developing embouchure strength -- Lesson no. 39. Study in G ; Sight reading -- Lesson no. 40. Study in D ; Sight reading -- Lesson no. 41. Study in A ; Sight reading -- Lesson no. 42. Tone study ; Control in the three registers -- Lesson no. 43. Study in E ; Sight reading -- Lesson no. 44. Study in B ; Attacks in the lower register -- Lesson no. 45. Study in F sharp -- Lesson no. 46. Study in S sharp [Exercise in seven sharps] -- Lesson no. 47 through 57. Technique studies.
Contents	Book 3: Professional. Lesson no. 58. Tone color ; Embouchure of alto and tenor -- Lesson no. 59. Suggestions for improved intonation -- Lesson no. 60. Intonation ; Rapid tongueing -- Lesson no. 61. Rapid tongueing -- Lesson no. 62. Rapid tongueing -- Lesson no. 63. Rapid tongueing -- Lesson 64. Rapid tongueing -- Lesson no. 65. Finger speed -- Lesson no. 66. Finger speed -- Lesson no. 67. Vibrato control -- Lesson no. 68. Vibrato control -- Lesson no. 69. Vibrato control -- Lesson no. 70. Tone control when playing pianissimo -- Lesson no. 71. Cut time -- Lesson no. 72. Care of reeds ; 3/2 time -- Lesson no. 73. Tempo di valse -- Lesson no. 74. 6/4 time -- Lesson no. 75. Tempo di marcia -- Lesson no. 76. 6/8 time in slow movement -- Lesson no. 77. Technical finger control -- Lesson no. 78. Advanced terms -- Lesson no. 79. Ease of playing -- Collection of daily studies -- Finger chart for notes above saxophone register.
Abstract	Book one (beginners) contains simplified fingering charts which are readily understood by the beginner. The basic treatment of time valuations as well as tone production are invaluable towards developing the student for orchestra work within the shortest possible time. The new system of throat control contained in this book will lessen the problem of intonation. The latter lessons are devoted exclusively to dance music as well as vibrato control, lip slurs, etc. Book two (advanced) is for the development of rapid finger technique. The necessary studies of scales, intervals and chords are presented in such a manner that the subject of simplified fingerings are readily understood. The rapid studies in all key signatures impart to the advanced student an ease of technique for any form of composition. The subjects of sight-reading and finger position are thoroughly discussed. The final technical studies in this book are highly recommended for the development of speed and intonation. Book three (professional) covers subjects not typically discussed in the average music book. The different rules as applied to alto and tenor saxophone are clearly stated. Several lessons are devoted to a new and easy system of rapid tongueing. For those professionals that are worried about intonation, this book will end their problems. The subject of tone and vibrato control is set forth in a plain and understandable manner. The collection of daily studies at the end of this book will in itself 'keep you up on your instrument.'

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Mickey Gillette saxophone method.

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