Telemann studies / edited by Wolfgang Hirschmann, Steven Zohn.

Other author Hirschmann, Wolfgang, editor.
Other author Zohn, Steven David, 1966- editor.
Format Electronic
PublicationCambridge, United Kingdom ; New York, NY : Cambridge University Press, 2022.
Copyright Date©2022
Description1 online resource (xxxi, 344 pages) : illustrations, music.
Supplemental ContentEbook Central
Subjects

SeriesCambridge composer studies
Cambridge composer studies. ^A1287952
Contents Enlightenment Perspectives . Sehet an die Exempel der Alten : The Presence of the Past in Telemann's Sacred Vocal Music / Steven Zohn ; Composing "Freedom" and Freedom of the Composer : Telemann's French Pastoral Drama / Wolfgang Hirschmann ; Telemann's Beschreibung and Castel's "Enlightenment" Harpsichord / Joyce Z. Lindorff -- Urban and Courtly Contexts. Telemann, L eburg, and Roger Brown / Carsten Lange ; Hamburg Passion Music at Telemann's Arrival / Daniel R. Melamed ; The Testament of Prince Johann Ernst of Saxe-Weimar / Andrew Talle -- Nature (and) Theology in the Late Vocal Works. Telemann's Donner-Ode and Lutheran Nature Theology / Joyce Irwin ; Body, Nature, and Emotion in Telemann's Christmas Cantatas / Markus Rathey ; Beyond Simplicity : Telemann's Musical Idyll Der May, TVWV 20:40 / Andreas Waczkat -- Bach Family Connections. Telemann as "General Kapellmeister" to the Bach Family / David Schulenberg ; Style as Substance : Kapellmeister Telemann, Konzertmeister Bach, and Cantata BWV 54 / Ellen Exner ; Sacred Pastiches : Telemann Chorales in C. P. E. Bach's Church Music / Jason B. Grant -- Cantata Cycles in Frankfurt, Hamburg, and Beyond. Recitative Notation in Telemann's Church Cantatas / Kota Sato ; Telemann's Stolbergischer Jahrgang (1736-37) in the Context of His Sacred Cantata Cycles / Nina Eichholz ; Telemann's Cantata Cycle of 1733-34 : Methodological Reflections on Its Identification / Ralph-J gen Reipsch ; Under the Reign of Telemann's Sacred Cantata Cycles : New Observations on the Music Repertory in Hirschberg, Breslau, and Augsburg / Michael Maul.
Abstract "The appearance of this volume in the immediate wake of two Telemann anniversaries - the 250th of his death in 2017 and the 300th of his move to Hamburg in 2021 - invites us to consider its position near the start of a second century of scholarship on the composer. It was in 1908, in fact, that the field of Telemann studies was virtually initiated by an edition of two late masterpieces, the oratorio Der Tag des Gerichts and the dramatic cantata Ino. The editor of that volume, Max Schneider, established a solid basis for future investigations of the composer's life and music with an introduction of almost seventy densely-packed pages, only a few of which specifically addressed the featured works. Schneider not only corrected existing scholarship on the composer (such as it was), but also quoted liberally from little known letters, drew upon neglected archival documents, provided illuminating musical examples, and reprinted key biographical documents in their entirety. Even the fascinating - and at the time, very much ongoing - story of Telemann's posthumous reception was laid out in its essentials"-- Provided by publisher.
General noteIncludes bibliographical references and indexes.
Source of descriptionDescription based on online resource; title from digital title page (viewed on August 25, 2022).
Issued in other formPrint version: Telemann studies Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2022 9781108493833
Genre/formCriticism, interpretation, etc.
LCCN 2021059647
ISBN9781108663472 electronic book
ISBN1108663478 electronic book
ISBN1316998487 electronic book
ISBN9781316998489 (electronic bk.)
ISBNhardcover