Tools

LEADER 03380cam 2200373 a 4500

001 ocn319318911;

003 OCoLC;

005 20250320031047.0;

008 090422s2010 enkag b 001 0 eng ;

010 a| 2009016964;

019 a| 436621808a| 744530726;

020 a| 9780754665793q| (hardcover ;q| alk. paper);

020 a| 0754665798q| (hardcover ;q| alk. paper);

035 a| (OCoLC)319318911z| (OCoLC)436621808z| (OCoLC)744530726;

050 00 a| ML410.C433b| N49 2010;

082 00 a| 780.922| 22;

049 a| EREM;

245 00 a| New perspectives on Marc-Antoine Charpentier /c| edited by Shirley Thompson.;

300 a| xxviii, 385 pages :b| illustrations, music ;c| 24 cm;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

504 a| Includes bibliographical references (pages 341-362) and indexes.;

520 8 a| The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier as one of the most important and inventive composers of the French Baroque. The book provides a snapshot of Charpentier's scholarship.;

505 00 t| Charting Charpentier's 'worlds' through his Mélanges /r| Patricia M. Ranum --t| Charpentier's void notation: the Italian background and its implications /r| Graham Sadler --t| The descending minor tetrachord in France: an emblem expanded /r| Lois Rosow --t| Repentance, piety and praise: sensual imagery and musical depiction in the petits motets of Marc-Antoine Charpentier /r| C. Jane Gosine --t| A question of genre: Charpentier's Messe pour plusieurs instruments au lieu des orgues (H513) /r| David Ponsford --t| Charpentier's music at court: the singers and instrumentalists of the Chapelle Royale, 1663-1683 and beyond /r| Anthea Smith --t| Performance practices at the Théâtre de Guénégaud and the Comédie-Française: evidence from Charpentier's Mélange autographes /r| John S. Powell --t| 'Une source peut en cacher une autre': added preludes and instrumental cues in the Mélanges /r| Catherine Cessac --t| The historical implications of a distinctive scoring: Charpentier's six-voice motets for Mademoiselle de Guise /r| Théodora Psychoyou --t| Observations on Charpentier's compositional process: corrections in the Mélanges /r| Herbert Schneider --t| Médée within the repertory of the tragédie en musique: intertextual links and the 'posterity' of Charpentier's opera /r| Benjamin Pintiaux --t| The nature of fame: reflections on Charpentier's Les plaisirs de Versailles and Lalande's Les fontaines de Versailles /r| Peter Roennfeldt --t| Charpentier's Motets meléz de symphonie: a nephew's tribute /r| Shirley Thompson.;

600 10 a| Charpentier, Marc-Antoine,d| 1643-1704x| Criticism and interpretation.=| ^A531001;

650 0 a| Musicy| 17th centuryx| History and criticism.=| ^A159523;

700 1 a| Thompson, Shirley,d| 1966-e| editor.=| ^A1433875;

994 a| C0b| ERE;

596 a| 3;

998 a| 6565022;

999 a| ML410.C433 N49 2010w| LCc| 1i| 30372017580389l| MSTm| JMUSICr| Ys| Yt| MGESBKu| 4/9/2025x| BOOKz| MCIRCo| .STAFF. jjam;

New perspectives on Marc-Antoine Charpentier / edited by Shirley Thompson.

Other author	Thompson, Shirley, 1966- editor.
Format	Book
Publication Info	Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2010.
Description	xxviii, 385 pages : illustrations, music ; 24 cm
Subjects	Charpentier, Marc-Antoine, 1643-1704--Criticism and interpretation. Music--17th century. --History and criticism.

Contents	Charting Charpentier's 'worlds' through his Mélanges / Patricia M. Ranum -- Charpentier's void notation: the Italian background and its implications / Graham Sadler -- The descending minor tetrachord in France: an emblem expanded / Lois Rosow -- Repentance, piety and praise: sensual imagery and musical depiction in the petits motets of Marc-Antoine Charpentier / C. Jane Gosine -- A question of genre: Charpentier's Messe pour plusieurs instruments au lieu des orgues (H513) / David Ponsford -- Charpentier's music at court: the singers and instrumentalists of the Chapelle Royale, 1663-1683 and beyond / Anthea Smith -- Performance practices at the Théâtre de Guénégaud and the Comédie-Française: evidence from Charpentier's Mélange autographes / John S. Powell -- 'Une source peut en cacher une autre': added preludes and instrumental cues in the Mélanges / Catherine Cessac -- The historical implications of a distinctive scoring: Charpentier's six-voice motets for Mademoiselle de Guise / Théodora Psychoyou -- Observations on Charpentier's compositional process: corrections in the Mélanges / Herbert Schneider -- Médée within the repertory of the tragédie en musique: intertextual links and the 'posterity' of Charpentier's opera / Benjamin Pintiaux -- The nature of fame: reflections on Charpentier's Les plaisirs de Versailles and Lalande's Les fontaines de Versailles / Peter Roennfeldt -- Charpentier's Motets meléz de symphonie: a nephew's tribute / Shirley Thompson.
Summary	The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier as one of the most important and inventive composers of the French Baroque. The book provides a snapshot of Charpentier's scholarship.
Bibliography note	Includes bibliographical references (pages 341-362) and indexes.
LCCN	2009016964
ISBN	9780754665793 (hardcover ; alk. paper)
ISBN	0754665798 (hardcover ; alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.C433 N49 2010	✔ Available	Place Hold

New perspectives on Marc-Antoine Charpentier / edited by Shirley Thompson.

Click here for more information about this title

Availability