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LEADER 08893cam 2201993 i 4500

001 on1340038044;

003 OCoLC;

005 20250721152922.0;

006 m o d ;

007 cr cnu---unuuu;

008 220124s2022 njua ob 001 0 eng ;

010 a| 2021059834;

019 a| 1350572203;

020 a| 0691240965q| electronic book;

020 a| 9780691240961q| (electronic bk.);

020 z| 9780691044620q| hardcover;

024 7 a| 10.1515/97806912409612| doi;

029 1 a| AU@b| 000073959459;

029 1 a| AU@b| 000072340208;

035 a| (Sirsi) o1340038044;

035 a| (OCoLC)1340038044z| (OCoLC)1350572203;

037 a| 22573/ctv2kqxhs9b| JSTOR;

042 a| pcc;

043 a| e-gx---;

049 a| EREE;

050 04 a| N6868.5.E9b| B445 2022eb;

072 7 a| ARTx| 0650002| bisacsh;

072 7 a| ARTx| 0151002| bisacsh;

072 7 a| ARTx| 0370002| bisacsh;

082 00 a| 709.43/090342| 23/eng/20220803;

084 a| LK 10352q| SEPA2| rvk0| (DE-625)rvk/97500:13106;

100 1 a| Behr, Shulamith,e| author.=| ^A231303;

245 10 a| Women artists in expressionism :b| from empire to emancipation /c| Shulamith Behr.;

264 1 a| Princeton :b| Princeton University Press,c| [2022];

300 a| 1 online resource (299 pages) :b| illustrations (some color);

336 a| textb| txt2| rdacontent;

337 a| computerb| c2| rdamedia;

338 a| online resourceb| cr2| rdacarrier;

347 a| text fileb| PDF2| rda;

504 a| Includes bibliographical references and index.;

520 a| "Featuring a selection of women artists active between 1890 to 1924, this book investigates divergent responses to the dramatic historical events and structural transformations during the early twentieth century. It reveals their efforts, with greater or relative success, to negotiate the competitive market economy of the late Wilhelmine empire and the uncertainties of the early Weimar Republic. In examining these artists, Shulamith Behr uncovers the overlooked importance of women's emancipative ideals to the development of avant-garde culture. Behr explores the richness of the women's engagement with and shaping of Expressionism, the modern art movement noted for its intention to express the emotional-rather than physical-reality of the artist. Behr examines the posthumous critical reception of Paula Modersohn-Becker as a prime agent of the feminization of the movement; Käthe Kollwitz's use of printmaking as a vehicle for technical innovation and socio-political commentary; and the dynamic relationship between Marianne Werefkin and Gabriele Münter, including their different national and cultural origins and paths towards Expressionism in the Blaue Reiter, a group of artists that included Wassily Kandinsky and Paul Klee. Additional chapters examine the role of Herwarth Walden's and Nell Walden's role as art dealers who promoted women Expressionists during the First World War, Münter's encounter with Swedish Expressionism in Scandinavia, and the recognition of Dutch-born abstractionist Jacoba van Heemskerck as an honorary German Expressionist"--c| Provided by publisher.;

588 a| Description based on online resource; title from digital title page (viewed on October 19, 2022).;

505 0 a| Cover -- Contents -- Preface -- Abbreviations and Archives -- 1. Women Artists, Expressionist Avant-Garde Culture, and the Public Sphere -- 2. The Canonizing of Paula Modersohn-Becker: Embodying the Subject and the Feminization of Expressionism -- 3. Käthe Kollwitz, the Expressionist Milieu, and the Making of Her Career -- 4. Female Avant-Garde Identity and Creativity in the Blaue Reiter: The Possibility of a "Blaue Reiterreiterin" -- 5. Europeanism and Neutrality as Active Intervention: Gabriele Münter, Sturmkünstlerin, and Swedish Expressionism (1915-20);

505 8 a| 6. The Gender and Geopolitics of Neutrality: Jacoba van Heemskerck, the Sturm Circle, and Spiritual Abstraction (1913-23) -- 7. The Formation of the Modern Woman Patron, Collector, and Dealer: From Brücke to Second-Generation Expressionism -- Epilogue -- Acknowledgments -- Notes -- Index -- Photo Credits;

546 a| In English.;

650 0 a| Expressionism (Art)z| Germany.=| ^A87095;

650 0 a| Women artistsz| Germany.=| ^A46392;

650 0 a| Art, Germany| 20th century.=| ^A417196;

650 7 a| ART / Women Artists.2| bisacsh;

650 7 a| Art and society.2| fast0| (OCoLC)fst00815432;

650 7 a| Art, German.2| fast0| (OCoLC)fst00816307;

650 7 a| Expressionism (Art)2| fast0| (OCoLC)fst00918895;

650 7 a| Women artists.2| fast0| (OCoLC)fst01177159;

651 7 a| Germany.2| fast0| (OCoLC)fst01210272?| UNAUTHORIZED;

648 7 a| 1900-19992| fast;

653 a| Aesthetic Theory.;

653 a| Anarchism.;

653 a| Applied arts.;

653 a| Art criticism.;

653 a| Art dealer.;

653 a| Art exhibition.;

653 a| Art.;

653 a| Authoritarianism.;

653 a| Avant-garde.;

653 a| Ayn Rand.;

653 a| Ballet company.;

653 a| Capitalism.;

653 a| Career.;

653 a| Color theory.;

653 a| Communist state.;

653 a| Consideration.;

653 a| Contemporary art.;

653 a| Counter-revolutionary.;

653 a| Curator.;

653 a| Degenerate art.;

653 a| Der Blaue Reiter.;

653 a| Der Sturm.;

653 a| Domestic violence.;

653 a| Eritrea.;

653 a| Eroticism.;

653 a| Essay.;

653 a| Ethnic conflict.;

653 a| Explanation.;

653 a| Expressionism.;

653 a| FRELIMO.;

653 a| Female.;

653 a| Femininity.;

653 a| Feminism.;

653 a| Feminist art.;

653 a| Feminist movement.;

653 a| Feminist theory.;

653 a| Figurative art.;

653 a| Fine art.;

653 a| Gender identity.;

653 a| Geopolitics.;

653 a| Gertrude Himmelfarb.;

653 a| Gesamtkunstwerk.;

653 a| Helena Blavatsky.;

653 a| Herbert Spencer.;

653 a| Housewife.;

653 a| Iconography.;

653 a| Ideology.;

653 a| Impressionism.;

653 a| Individualist feminism.;

653 a| Jewish Women's Archive.;

653 a| Judith Butler.;

653 a| K̃the Kollwitz.;

653 a| Lecture.;

653 a| Libertarianism.;

653 a| Liberty Fund.;

653 a| Maternalism.;

653 a| Modern art.;

653 a| Modernity.;

653 a| Mother.;

653 a| Mural.;

653 a| Murray Rothbard.;

653 a| Nancy Fraser.;

653 a| Nicaragua.;

653 a| Oil painting.;

653 a| Painting.;

653 a| Persecution.;

653 a| Philosopher.;

653 a| Poetry.;

653 a| Political philosophy.;

653 a| Private collection.;

653 a| Prostitution.;

653 a| Psychoanalysis.;

653 a| Public sphere.;

653 a| Publication.;

653 a| Rachel Maddow.;

653 a| Radicalism (historical).;

653 a| Rainer Maria Rilke.;

653 a| Regime.;

653 a| Rosa Schapire.;

653 a| Routledge.;

653 a| Sally Hemings.;

653 a| Sandinista National Liberation Front.;

653 a| Slave rebellion.;

653 a| Social Darwinism.;

653 a| Stalinism.;

653 a| Suffragette.;

653 a| Surrealism.;

653 a| The Rachel Maddow Show.;

653 a| Thought.;

653 a| Tirana.;

653 a| Visual arts.;

653 a| Woman with a Hat.;

653 a| Women artists.;

653 a| Women's Social and Political Union.;

653 a| Women's club (United States).;

653 a| Women's suffrage.;

653 a| Woodcut.;

653 a| Work of art.;

653 a| Worpswede.;

653 a| Writing.;

655 7 a| History.2| fast0| (OCoLC)fst01411628;

776 08 i| Print version:a| Behr, Shulamith.t| Women artists in expressionismd| Princeton : Princeton University Press, [2022]z| 9780691044620w| (DLC) 2021059833;

856 40 3| Ebook Centralu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=7132932;

949 a| Click on web addressw| asish| joyner211o| jwjh;

949 a| Click on web addressw| asish| hsl104o| jwjh;

949 a| Click on web addressw| asish| jmusic66o| jwjh;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6571806-1001l| JNETm| JOYNERr| Ys| Yt| JNEYBPDDAOu| 5/2/2025x| EBOOKz| JERESOURCEo| .STAFF. jwjh;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6571806-2001l| HSLELECm| HSLr| Ys| Yt| HYBPDDAOu| 5/2/2025x| EBOOKz| HERESOURCEo| .STAFF. jwjh;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6571806-3001l| MNETm| JMUSICr| Ys| Yt| MNEYBPDDAOu| 5/2/2025x| EBOOKz| JERESOURCEo| .STAFF. jwjh;

Women artists in expressionism : from empire to emancipation / Shulamith Behr.

Author/creator	Behr, Shulamith author.
Format	Electronic
Publication	Princeton : Princeton University Press, [2022]
Description	1 online resource (299 pages) : illustrations (some color)
Supplemental Content	Ebook Central
Subjects	Expressionism (Art)--Germany. Women artists--Germany. Art, German--20th century. Art and society--Germany. --History. --20th century.

Contents	Cover -- Contents -- Preface -- Abbreviations and Archives -- 1. Women Artists, Expressionist Avant-Garde Culture, and the Public Sphere -- 2. The Canonizing of Paula Modersohn-Becker: Embodying the Subject and the Feminization of Expressionism -- 3. Käthe Kollwitz, the Expressionist Milieu, and the Making of Her Career -- 4. Female Avant-Garde Identity and Creativity in the Blaue Reiter: The Possibility of a "Blaue Reiterreiterin" -- 5. Europeanism and Neutrality as Active Intervention: Gabriele Münter, Sturmkünstlerin, and Swedish Expressionism (1915-20)
Contents	6. The Gender and Geopolitics of Neutrality: Jacoba van Heemskerck, the Sturm Circle, and Spiritual Abstraction (1913-23) -- 7. The Formation of the Modern Woman Patron, Collector, and Dealer: From Brücke to Second-Generation Expressionism -- Epilogue -- Acknowledgments -- Notes -- Index -- Photo Credits
Abstract	"Featuring a selection of women artists active between 1890 to 1924, this book investigates divergent responses to the dramatic historical events and structural transformations during the early twentieth century. It reveals their efforts, with greater or relative success, to negotiate the competitive market economy of the late Wilhelmine empire and the uncertainties of the early Weimar Republic. In examining these artists, Shulamith Behr uncovers the overlooked importance of women's emancipative ideals to the development of avant-garde culture. Behr explores the richness of the women's engagement with and shaping of Expressionism, the modern art movement noted for its intention to express the emotional-rather than physical-reality of the artist. Behr examines the posthumous critical reception of Paula Modersohn-Becker as a prime agent of the feminization of the movement; Käthe Kollwitz's use of printmaking as a vehicle for technical innovation and socio-political commentary; and the dynamic relationship between Marianne Werefkin and Gabriele Münter, including their different national and cultural origins and paths towards Expressionism in the Blaue Reiter, a group of artists that included Wassily Kandinsky and Paul Klee. Additional chapters examine the role of Herwarth Walden's and Nell Walden's role as art dealers who promoted women Expressionists during the First World War, Münter's encounter with Swedish Expressionism in Scandinavia, and the recognition of Dutch-born abstractionist Jacoba van Heemskerck as an honorary German Expressionist"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Language	In English.
Source of description	Description based on online resource; title from digital title page (viewed on October 19, 2022).
Issued in other form	Print version: Behr, Shulamith. Women artists in expressionism Princeton : Princeton University Press, [2022] 9780691044620
Genre/form	History.
LCCN	2021059834
ISBN	0691240965 electronic book
ISBN	9780691240961 (electronic bk.)
ISBN	hardcover
Standard identifier#	10.1515/9780691240961
Stock number	22573/ctv2kqxhs9 JSTOR

Women artists in expressionism : from empire to emancipation / Shulamith Behr.

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