/LC.GIF&client=easterncarolinaedu)
Orlando Di Lasso Studies / edited by Peter Bergquist.
| Other author | Bergquist, Peter. |
| Format | Book |
| Publication Info | New York : Cambridge University Press, 1999. |
| Description | xii, 253 pages : illustrations ; 24 cm |
| Subjects |
| Contents | Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli / Marie Louise Gölner -- Post-Tridentine liturgical change and functional music / Daniel Zager -- The salon as marketplace in the 1550s / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis -- Lasso's "Fertur in conviviis" / Bernhold Schmid -- Orlando di Lasso and Rome / Noel O'Regan -- Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt -- The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar -- Modal ordering within Orlando di Lasso's publications / Peter Bergquist -- Correct and incorrect accentuation in Lasso's music / Horst Leuchtmann. |
| Abstract | Orlando di Lasso was the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is the first full-length survey in English of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects, and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns, and madrigals. |
| Bibliography note | Includes bibliographical references and indexes. |
| LCCN | 98011734 |
| ISBN | 0521593875 (hb) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Music | Music Stacks | ML410.L3 O68 1999 | ✔ Available | Place Hold |