Guide to the aria repertoire. / Mark Ross Clark.

Author/creator Clark, Mark Ross, 1951-
Format Book
Publication InfoBloomington : Indiana University Press, ©2025.
Descriptionix, 302 pages ; 24 cm.
Subjects

SeriesIndiana repertoire guides
Indiana repertoire guides. ^A710124
Contents Introduction -- Section I. Soprano. "A lucky child," At the Statue of Venus, Jake Heggie -- "Accidents can be an unhappy woman's best friend," Dolores Claiborne, Tobias Picker -- "After you hear me out" ("Old Alyce"), Glory Denied, Tom Cipullo -- "Ah! Fuggi il traditor!" Don Giovanni, Wolfgang Amadeus Mozart -- "Amour, ranime mon courage," Roméo et Juliette, Charles Gounod -- "Bea's mirror aria," Three Decembers, Jake Heggie -- "Beyond all price," The Scarlet Letter, Lori Laitman -- "Come back," If I Were You, Jake Heggie -- "Down you go" (The controllers aria), Flight, Jonathan Dove -- "Dis-moi que je suis belle," Thaïs, Jules Massenet -- "Du gai soleil," Werther, Jules Massenet -- "Fiakermilli," Arabella, Richard Strauss -- "Grossmächtige Prinzessin," Ariadne auf Naxos, Richard Strauss -- "I am not my own," Lysistrata, Mark Adamo -- "I see a woman," Lili Elbe, Tobias Picker -- "I'm gonna love you 'til the day I die," It's a Wonderful Life, Jake Heggie -- "Je suis encore," Manon, Jules Massenet -- "Just once," The Three Feathers, Lori Laitman -- "L'amour est une vertu rare," Thaïs, Jules Massenet -- The letter aria, Emmeline, Tobias Picker -- "My darling Jim," Glory Denied, Tom Cipullo -- "Non Disperar," Giulio Caesare in Egitto, George Frideric Handel -- "Se il padre perdei," Idomeneo, Re di Creta, Wolfgang Amadeus Mozart -- "This is the face of a woman who lied," Brief Encounter, André Previn -- "Un bel di vedremo," Madama Butterfly, Giacomo Puccini -- "Wo bin Ich?" Hansel und Gretel, Engelbert Humperdinck -- "You're not my own" (Lysia's cabaletta), Lysistrata, Mark Adamo -- Section II. Mezzo-soprano. "Afraid? Am I afraid?" The Medium, Gian Carlo Menotti -- "Am I dreaming?" Thérèse Raquin, Tobias Picker -- Diving aria, An American Tragedy, Tobias Picker -- "The furnace of the world," If I Were You, Jake Heggie -- "Geliebter, komm," Tannhäuser, Richard Wagner -- "Höre mit Sinn," Die Götterdämmerung, Richard Wagner -- "I am a mother, too," Dead Man Walking, Jake Heggie -- "I want to matter," Great Scott, Jake Heggie -- "Ice cube aria," If I Were You, Jake Heggie -- "Je suis gris," Chérubin, Jules Massenet -- "My father left me," Thérèse Raquin, Tobias Picker -- "Non ho colpa," Idomeneo, Wolfgang Amadeus Mozart -- "Peace, yes, of course," Lysistrata, Mark Adamo -- "Relevez-vous ma fille," Dialogues des Carmélites, Francis Poulenc -- "All'aflitto è dolce il pianto," Roberto Devereux, Gaetano Donizetti -- "Romance," The Damnation of Faust, Hector Berlioz -- "Se Romeo t'uccise un figlio," I Capuleti e I Montecchi, Vincenzo Bellini -- "Sein wir wieder gut," Ariadne auf Naxos, Richard Strauss -- "Oh, it's joy, isn't it?" Elmer Gantry, Robert Aldridge -- "The empty handed traveler," The Consul, Gian Carlo Menotti -- "The Lord has spared this child," Emmeline, Tobias Picker -- "The moment a bird takes flight," Amelia, Daron Hagen -- "This journey," Dead Man Walking, Jake Heggie -- "Who will walk with me?" Dead Man Walking, Jake Heggie -- Section III. Tenor. "Addio fiorito asil," Madama Butterfly, Giacomo Puccini -- Ahab's "symphony" aria, Moby Dick, Jake Heggie -- "Asile héréditaire/O muto," Guillaume Tell, Gioachino Rossini -- "Coeur sans amour," Cendrillon, Jules Massenet -- "Dio! Mi potevi scagliar," Otello, Giuseppe Verdi -- "Fra poco a me ricovero," Lucia di Lammermoor, Gaetano Donizetti -- George Bailey's soliloquy, It's a Wonderful Life, Jake Heggie -- "Hai ben ragione," Il Tabarro, Giacomo Puccini -- "Human madness," or "The coffin scene," Moby Dick, Jake Heggie -- "Ich baue ganz auf deine Stärke," Die Entführung aus dem Serail, Wolfgang Amadeus Mozart -- "Is belief a gift?" Elmer Gantry, Robert Aldridge -- "Judge Danforth's entrance," The Crucible, Robert Ward -- "Lullaby," Amelia, Daron Hagen -- "Mit Gewitter und Sturm," Der Fliegende Hollander, Richard Wagner -- "My dearest friends," Phoenix, Tarik O'Regan -- "Nico's credo," Lysistrata, Mark Adamo -- "Nothing but dreams" (David's aria), If I Were You, Jake Heggie -- "O te, O cara," I Puritani, Vincenzo Bellini -- Serenade (Overhead the moon is beaming), The Student Prince, Sigmund Romberg -- Tanzmeister's aria (The dancemaster), Ariadne auf Naxos, Richard Strauss -- "To a lost child," Uncovered, Lori Laitman -- "Unis dès la plus tendre enfance," Iphigénie en Tauride, Christoph Willibald Gluck -- "Waft her, Angels," Jephtha, George Frideric Handel -- "Why risk everything for this?" Intelligence, Jake Heggie -- "You can see the farm from here," Emmeline, Tobias Picker -- Section IV. Baritone and bass. "A quoi bon l'economie!" Manon, Jules Massenet -- Car aria, An American Tragedy, Tobias Picker -- "Come, master," The Rake's Progress, Igor Stravinsky -- "The epiphany aria," Elmer Gantry, Robert Aldridge -- "Everything's going to be fine," Flight, Jonathan Dove -- "When you hear the truth, do you know it?" Elmer Gantry, Robert Aldridge -- "For every love there is a last farewell," Vanessa, Samuel Barber -- "I burn, I freeze," The Rake's Progress, Igor Stravinsky -- "I got it figured out," If I Were You, Jake Heggie -- "I wish I could sleep," A Quiet Place, Leonard Bernstein -- "If she be innocent," The Crucible, Robert Ward -- "Je t'implore, ô mon Frére [i.e. Frère]," Hamlet, Ambroise Thomas -- "Joseph's confession," Dead Man Walking, Jake Heggie -- "Like a wood in Ireland," Emmeline, Tobias Picker -- "Wie schön ist doch die Musik," Die Schweigsame Frau, Richard Strauss -- "Our revels now have ended," The Tempest, Lee Hoiby -- "Painting aria," Thérèse Raquin, Tobias Picker -- "The tower aria" ("Mes longs cheveux"), Pelléas et Mélisande, Claude Debussy -- "There was a knight," Little Women, Mark Adamo -- "To America I sailed," A View from the Bridge, William Bolcom -- "Ton Doux Regard se Voile," Lakmé, Léo Delibes -- "When my cue comes, call me," Midsummer Night's Dream, Benjamin Britten -- "Wohl wusst' Ich hier," Tannhäuser, Richard Wagner -- Index A: Soprano, twentieth- and twenty-first-century opera -- Index B: Mezzo-soprano, twentieth- and twenty-first-century opera -- Index C: Tenor, twentieth- and twenty-first-century opera -- Index D: Bass-baritone, twentieth- and twenty-first-century opera.
Abstract This long-awaited sequel to the Guide to the Aria Repertoire offers invaluable guidance to those performing some of the most challenging arias. Featuring an entirely new selection of arias, this book brings together many sources to aid the singer on their journey toward powerful, informed performances. The original book has proven a tried-and-true resource for the developing operatic singer, with a wealth of insightful commentary from world-famous singers, directors, and other professionals as well as comments on interpreting arias and roles. This new volume follows in this tradition, discussing additional works and including some contemporary and lesser-known works beyond the standard selection. The arias in this guide are organized by voice type, and represent canonical, contemporary, and obscure works from different languages. Each reference listing addresses level of difficulty, voice and character type, special techniques, tessitura, accompaniment, and more. This book will be essential for performers, students, and teachers of operatic repertoire throughout their developing careers.
General noteIncludes index (pages 301-302).
ISBN9780253072658 hardback
ISBN0253072654
ISBN9780253072665 paperback
ISBN0253072662