Rethinking Gothic transgressions of gender and sexuality : new directions in Gothic studies / edited by Sarah Faber and Kerstin-Anja Münderlein.
| Other author | Faber, Sarah, 1989- editor. |
| Other author | Münderlein, Kerstin-Anja, 1988- editor. |
| Format | Electronic |
| Publication | New York, NY : Routledge, 2024. |
| Description | 1 online resource. |
| Supplemental Content | Taylor & Francis |
| Subjects |
| Series | Routledge studies in speculative literature Routledge studies in speculative literature. UNAUTHORIZED |
| Contents | Introduction: Gothic and transgression -- Gothic in the long eighteenth and nineteenth centuries. Excessive fainting and parodic bending: analysing socio-political criticism through the heroine's body in the Gothic novel and the Gothic parody / Kerstin-Anja Münderlein -- The comfort of the male gaze in Dickens's Our mutual friend / Franziska Quabeck -- Gothic monster or creative muse? Strategies of empowerment in Grace King's "One of us" / Alycia Garbay -- From Gothic heroines to monstrous prom queens: gender horror in Dracula and Jennifer's body / Kit Schuster -- Violet Strange: Gothic girl detective / Keli Masten -- Gothic from the World Wars to the present. "I don't want to grow up:" abject adolescence and Southern Gothic in Carson McCullers's short stories / Jerneja Planinsek-Zlof -- The unspeakable plant -- gender, desire and the monstrous vegetal in Frances Hardinge's The lie tree / Anja Höing -- 'Annihilation' of the gendered human: ecogothic transgressions of anthropocentrism / Tamara Schmitt and Maria Weber -- Transgressing genre and gender: masculinities and (post)feminism in neo-Gothic narratives / Miriam Borham-Puyal -- "But it seems to me that I have absorbed Ruth" -- Gothic doubles in Laura Purcell's The corset / Lara Brändle -- Archive of the unspeakable: unsilencing violence in Carmen Maria Machado's In the dream house / Carolin Jesussek -- Narrating the (queer) Gothic in the Magnus Archives podcast / Maria Juko -- The wholesome queer Gothic: transgressing narrative norms and shifting LGBTQIA+ representation in contemporary re-inventions of the Gothic / Sarah Faber -- Conclusion: Gothic prospects: ancient monsters and new anxieties. |
| Abstract | "From early examples of queer representation in mainstream media to present-day dissolutions of the human-nature boundary, the Gothic is always concerned with delineating and transgressing the norms that regulate society and speak to our collective fears and anxieties. This volume examines British and American Gothic texts from four centuries and diverse media - including novels, films, podcasts, and games - in case studies which outline the central relationship between the Gothic and transgression, particularly gender(ed) and sexual transgression. This relationship is both crucial and constantly shifting, ever in the process of renegotiation, as transgression defines the Gothic and society redefines transgression. The case studies draw on a combination of well-studied and under-studied texts in order to arrive at a more comprehensive picture of transgression in the Gothic. Pointing the way forward in Gothic Studies, this original and nuanced combination of gendered, ecogothic, queer and media critical approaches addresses established and new scholars of the Gothic alike"-- Provided by publisher. |
| Bibliography note | Includes bibliographical references and index. |
| Biographical note | Sarah Faber's central research areas are Game Studies, the fantastic, and nineteenth-century British literature, united by an overarching interest in narrative technique and constructions of (especially queer and/or gendered) identity and belonging. She completed her studies at Johannes Gutenberg University Mainz, where she wrote her doctoral thesis on narration in multiplayer games. She was a research and teaching associate at JGU Mainz for five years and a fellow at Brandenburg University of Applied Sciences for two. She has been a board member of the German Association for Research in the Fantastic since 2022. Kerstin-Anja M derlein is a lecturer and post-doc at the Institute of English and American Studies (Department of English Literature) at the University of Bamberg where she completed her PhD on Gothic parody in 2019. Her fields of research include Gothic novels and parodies of the long eighteenth century with a focus on quixotism and normative femininity, British poetry of the Great War (especially Vera Brittain's writings), and the constructions of femininities and masculinities in English Golden Age crime fiction. Her methodological focus lies on Gender Studies, audience, and reception theory. She is assistant editor for Crime Fiction Studies and currently edits a themed issue on gender and crime for the journal. Her most recent publications include Genre and Reception in the Gothic Parody: Framing the Subversive Heroine (Routledge, 2022) and the edited collection Crime Fiction, Femininities and Masculinities (forthcoming 2024). |
| Source of description | Description based on print version record and CIP data provided by publisher; resource not viewed. |
| Issued in other form | Print version: Rethinking Gothic transgressions of gender and sexuality New York, NY : Routledge, 2024 9781032451381 |
| Genre/form | Criticism, interpretation, etc. |
| Genre/form | Essays. |
| Genre/form | Literary criticism. |
| Genre/form | Literary criticism. |
| Genre/form | Essays. |
| Genre/form | Critiques litteĢraires. |
| LCCN | 2023042405 |
| ISBN | 9781003375562 (ebook) |
| ISBN | 1003375561 |
| ISBN | 9781003852964 (electronic bk. : EPUB) |
| ISBN | 1003852963 (electronic bk. : EPUB) |
| ISBN | 1003852920 (electronic bk. : PDF) |
| ISBN | 9781003852926 (electronic bk.) |
| ISBN | (hardback) |
| ISBN | (paperback) |
| Standard identifier# | 10.4324/9781003375562 |
| Stock number | 9781003375562 Taylor & Francis |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |