Coproduction collaboration in music production / Robert Wilsmore & Christopher Johnson.

SeriesPerspectives on music production
Contents PART ONE. Type 1. Group Coproduction: Collaboration Between Individuals ; Producing Together / Robert Wilsmore ; Creativity and the Production Habitus / Christopher Johnson ; The Production Habitus of Smoke Rainbows - Music Minds Matter (Abbey Road Case Study No.1) / Christopher Johnson ; Lauren Christy and The Matrix Production Team: Coproduction in Familial Mode (The Three-headed Monster and the Butterfly Collector) / Robert Wilsmore ; Hierarchical Production and Complementarity, Before, During and After PWL. An Interview with Phil Harding / Christopher Johnson and Robert Wilsmore ; Group Genius, Scenius, the Invisible and the Oblique: Eno, Lanois and Communities of Creativity / Robert Wilsmore ; Grace Jones, Spontaneity and Collaboration in the Moment : An Interview with Bruce Woolley / Christopher Johnson and Robert Wilsmore ; Small Things of Value: Marginalia, Mental Health and Coproduction (Abbey Road Case Study No.2, Part 1) / Robert Wilsmore ; Something of Value: Coproducing with Converge, a University-based Educational Programme for Adults with Mental Health Difficulties (Abbey Road Case Study No.2, Part 2) / Ruth Lambley -- PART TWO. Type 2. Internal Coproduction: The Self as Many. The Artistic Self and the Cycle of Production / Christopher Johnson ; Silver Glass: Re-production / Christopher Johnson ; Play One We Know! A Pub Singer's Struggle to Retain His Integrity Whilst Remaining Entertaining / Christopher Johnson -- PART THREE. Type 3. Coproduction Without Consent: Denial or Unknowing Collaboration. The Song of a Thousand Songs: Popular Music as Distributed Collaboration (Toast Theory, Part 1) / Robert Wilsmore ; Removing Non-sonic Signifiers from Endings (Toast Theory, Part 2) / Robert Wilsmore ; The Ancient Art of Remixing / Robert Wilsmore -- PART FOUR. Type 4. Deproduction: The Collective Disappearance of Production. On Writing Every Song / Robert Wilsmore and Phillip Brady ; The Mathematics of Writing Every Tune / Phillip Brady and Robert Wilsmore ; Deproduction / Robert Wilsmore.
Abstract "Coproduction is dedicated specifically to the study of an emerging field in music production musicology. It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular music. Taking a wide-ranging approach to examining the field, Coproduction looks through multiple formats including essays, interviews and case studies, with analysis and commentary of coproduction experiences at Abbey Road studios. It does so by examining multiple disciplines from social science and coproduction in mental health, to philosophy and mathematics. At its extremes (which is the extreme middle and not the blunt 'cutting edge') the authors attempt to produce every song in their development of an all-encompassing pop music concept, peculiarly called 'Toast Theory'. In attempting to unite the pragmatic collaborative patterns of Vera John-Steiner with philosophical postmodernist concepts of connection, Coproduction has something to offer readers interested in the traditional workings of teams of producers, as well as those seeking to understand the wider philosophy of collaboration in music production"-- Provided by publisher.
Bibliography noteIncludes bibliographical references and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2021059663
ISBN9780815362531 (hardback)
ISBN9780815362555 (paperback)
ISBN(ebook)

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