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010 a| 2018029796;

020 a| 9781138487741q| hardcover;

020 z| 9781351042383q| electronic book;

020 z| 9781351042369q| electronic publication;

020 z| 9781351042352q| Mobipocket electronic book;

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082 00 a| 782.32/32090242| 23;

100 1 a| Cook, Jamesc| (Musicologist)?| UNAUTHORIZED;

245 14 a| The early mass cycle in England and Europeh| [electronic resource] /c| James Cook.;

260 a| Abingdon, Oxon ;a| New York, NY :b| Routledge,c| 2019.;

300 a| ix, 148 pages :b| music ;c| 25 cm.;

490 1 a| Royal Musical Association monographs ;v| 33;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 a| England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of what is English' cannot truly be answered without also answering the question of what is continental'. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice - a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.;

538 a| Mode of access: World Wide Web;

650 0 a| Mass (Music)y| 15th century.=| ^A40928;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Royal Musical Association monographs ;v| no. 33.=| ^A217826;

856 40 z| Full text available from Taylor & Francis eBooksu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781351042383;

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The early mass cycle in England and Europe / James Cook.

Author/creator	Cook, James
Format	Electronic
Publication Info	Abingdon, Oxon ; New York, NY : Routledge, 2019.
Description	ix, 148 pages : music ; 25 cm.
Supplemental Content	Full text available from Taylor & Francis eBooks
Subjects	Mass (Music)--15th century.

Series	Royal Musical Association monographs ; 33 Royal Musical Association monographs ; no. 33. ^A217826
Abstract	England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of what is English' cannot truly be answered without also answering the question of what is continental'. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice - a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2018029796
ISBN	9781138487741 hardcover
ISBN	electronic book
ISBN	electronic publication
ISBN	Mobipocket electronic book

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