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010 a| 2019037239;

020 a| 9780367030704q| (hardback);

020 a| 9780367030711q| (paperback);

020 z| 9780429020209q| (ebook);

035 a| (WaSeSS)ssj0002254988;

040 a| DLCb| engc| DLCd| WaSeSS;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML3918.S74b| H66 2020;

082 00 a| 7842| 23;

245 00 a| HONK!h| [electronic resource] :b| a street band renaissance of music and activism /c| edited by Reebee Garofalo, Erin T. Allen, Andrew Snyder.;

260 a| New York :b| Routledge,c| 2020.;

263 a| 2002;

300 a| pages cm;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 a| "HONK! Music Activism in a Street Band Renaissance reflects on the recent, transnational revival of street bands. It provides a window into diverse manifestations of cultural activity that mobilizes communities to reimagine the public square, protest injustice, and celebrate community. With the joy of participatory music making at its core, HONK bands are a fast-growing phenomena, asserting their activism through "radical inclusion," active musical engagement in street protests, and grassroots organization. This collection of twenty-two essays, voiced in various local contexts, describes how the diversity of manifestations of these movements parallels the rich diversity of the musical repertoires these bands play and share. The HONK! Festival of Activist Street Bands began in Somerville, Mass, in 2006 as an independent, non-commercial, street festival, featuring community-based brass and percussion bands. HONK has since spread to three continents. The contributors tackle a diverse range of themes, including circulation of repertoire, innovative musical pedagogies, musical engagement within protest, and various theories of activism, incl. the social dynamics of gender, race, and class. Musicians, activists, and scholars engage with how HONK! Festivals might pursue their goals of "changing the world.""--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

611 20 a| HONK! Festival of Activist Street Bands.?| UNAUTHORIZED;

650 0 a| Street musicx| Political aspects.=| ^A825977;

650 0 a| Street musicx| Social aspects.=| ^A825977;

650 0 a| Street musicx| History and criticism.=| ^A825977;

650 0 a| Bands (Music)x| Political activity.=| ^A18257;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Garofalo, Reebee.=| ^A299671;

700 1 a| Allen, Erin T.?| UNAUTHORIZED;

700 1 a| Snyder, Andrewc| (Ethnomusicologist)?| UNAUTHORIZED;

856 40 z| Full text available from Taylor & Francis eBooksu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429020209;

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949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6670694-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 12/19/2025x| EBOOKz| JERESOURCE;

HONK! a street band renaissance of music and activism / edited by Reebee Garofalo, Erin T. Allen, Andrew Snyder.

Other author	Garofalo, Reebee.
Other author	Allen, Erin T.
Other author	Snyder, Andrew (Ethnomusicologist)
Format	Electronic
Publication Info	New York : Routledge, 2020.
Description	pages cm
Supplemental Content	Full text available from Taylor & Francis eBooks
Subjects	Street music--Political aspects. Street music--Social aspects. Street music--History and criticism. Bands (Music)--Political activity.

Abstract	"HONK! Music Activism in a Street Band Renaissance reflects on the recent, transnational revival of street bands. It provides a window into diverse manifestations of cultural activity that mobilizes communities to reimagine the public square, protest injustice, and celebrate community. With the joy of participatory music making at its core, HONK bands are a fast-growing phenomena, asserting their activism through "radical inclusion," active musical engagement in street protests, and grassroots organization. This collection of twenty-two essays, voiced in various local contexts, describes how the diversity of manifestations of these movements parallels the rich diversity of the musical repertoires these bands play and share. The HONK! Festival of Activist Street Bands began in Somerville, Mass, in 2006 as an independent, non-commercial, street festival, featuring community-based brass and percussion bands. HONK has since spread to three continents. The contributors tackle a diverse range of themes, including circulation of repertoire, innovative musical pedagogies, musical engagement within protest, and various theories of activism, incl. the social dynamics of gender, race, and class. Musicians, activists, and scholars engage with how HONK! Festivals might pursue their goals of "changing the world.""-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2019037239
ISBN	9780367030704 (hardback)
ISBN	9780367030711 (paperback)
ISBN	(ebook)

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HONK! a street band renaissance of music and activism / edited by Reebee Garofalo, Erin T. Allen, Andrew Snyder.

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