Recomposing the past representations of early music on stage and screen / edited by James Cook, Alexander Kolassa, Adam Whittaker.

Other author Cook, James (Musicologist)
Other author Kolassa, Alexander.
Other author Whittaker, Adam.
Format Electronic
Publication InfoAbingdon, Oxon ; New York, NY : Routledge, 2018.
Descriptionxii, 259 pages : illustrations, music ; 25 cm.
Supplemental ContentFull text available from Taylor & Francis eBooks
Subjects

SeriesAshgate screen music series
Contents Representing Renaissance Rome : beyond anachronism in Showtime's The Borgias (2011) / James Cook -- Baroque ©Ła la Hitchcock : the music of Dangerous Liaisons (1988) / Mervyn Cooke -- "Frame not my lute" : the musical Tudor Court on the big screen / Daniela Fountain -- It ain't over 'til King Arthur sings : English dramatick opera on the modern stage / Katherina Lindekens -- Musical divisions of the sacred and secular in The Hunchback of Notre Dame / Adam Whittaker -- Celtic music and Hollywood cinema : representation, stereotype, and affect / Simon Nugent -- David Munrow's "Turkish nightclub piece" / Edward Breen -- Little harmonic labyrinths : baroque musical style on the Nintendo Entertainment System / William Gibbons -- Presentness and the past in contemporary British opera / Alexander Kolassa -- Angels in the archive : animating the past in Written on Skin / Maria Ryan -- Werner Herzog and the filmic dark arts : myth, truth, music, and the life of Carlo Gesualdo (1566-1613) / Philip Weller -- Medievalism, music, and agency in The Wicker Man (1973) / Lisa Colton -- Music in fantasy pasts : neomedievalism and Game of Thrones / James Cook, Alexander Kolassa and Adam Whittaker.
Bibliography noteIncludes bibliographical references (pages 248-250) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2017049222
ISBN9781138287471 hardcover
ISBNelectronic book