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LEADER 05532ccm 2200469I 4500

001 ocm01049538;

005 20141212133928.0;

008 741022_1950_______ ____ eng u;

010 a| 50007812;

035 a| (Sirsi) o01049538;

035 a| (OCoLC)1049538;

040 c| OUNd| EREd| m.c.d| UtOrBLW;

049 a| EREM;

050 00 a| M2.A535b| F7;

100 1 a| Apel, Willi,d| 1893-1988.=| ^A17621;

245 10 a| French secular music of the late fourteenth century /c| edited by Willi Apel ; edition of the literary texts by Robert W. Linker and Urban T. Holmes, Jr. ; with foreword by Paul Hindemith.;

260 a| Cambridge, Mass. :b| Mediaeval Academy of America,c| 1950.;

300 a| xii, 39, 133 pages :b| plates. facsimiles ;c| 33 cm.;

336 a| notated music2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Publication (Mediaeval Academy of America) ;v| no. 55;

490 1 a| Robert Morris Collection;

500 a| "81 compositions ... [including] the complete output of the five most prolific composers ... Matheus de Perusio ... Anthonellus de Caserta ... Solage, Trebor and Senleches.";

520 a| The present publication is devoted to the first of these two schools, formed by the immediate successors of Machaut. The total repertory contained in the sources of this period consists of liturgical pieces (mass items, etc.), motets, and secular compositions, with the last category far outnumbering the two others. For instance, the above-mentioned three main sources contain approximately a dozen sacred compositions, about 15 motets, and over 200 secular pieces, mostly with French, but occasionally with Italian and Latin texts. In the following study only the French secular compositions, exclusive of those by Machaut, are considered. More than half of these are attributed to composers. The number of these composers is surprisingly great, and a complete list would include more than forty names. Practically all the compositions of our repertory belong to one of the three traditional formes fixes of French medieval poetry and music, that is, the ballade, the virelai, and the rondeau. The repertory of our sources can be divided into three stylistic groups, A, B, C, which can reasonably be assumed to represent three phases of a continuous development. These phases, for which the names "Machaut Style," "Manneristic Style," and "Modern Style" will be used, may be said to extend approximately from 1350 to 1370, from 1370 to 1390, and from 1390 to 1400, naturally more or less overlapping;

650 0 a| Part songsv| Scores.=| ^A31664;

700 1 a| Apel, Willi,d| 1893-1988,e| editor.=| ^A17621;

700 1 a| Linker, Robert White,e| editor.=| ^A63574;

700 1 a| Holmes, Urban T.,c| Jr.,d| 1900-1972,e| editor.=| ^A25210;

700 0 a| Matheus de Perusio.?| UNAUTHORIZED;

700 0 a| Anthonello,c| de Caserta,d| active 14th century-15th century.=| ^A1166550;

700 0 a| Solage,d| fl. 14th century.?| UNAUTHORIZED;

700 1 a| Trebor,d| active 14th century.=| ^A1232398;

700 0 a| Jacob,c| de Senleches,d| active 1378-1395.=| ^A833074;

830 0 a| Publication (Mediaeval Academy of America) ;v| no. 55.=| ^A34086;

830 0 a| Robert Morris Collection.?| UNAUTHORIZED;

919 a| MUSIC SCORE;

596 a| 3;

998 a| 67128;

999 a| M2 .A535 F7w| LCc| 1i| 310372000743868d| 2/8/2018e| 2/4/2014f| 6/15/2022g| 4l| MSTm| JMUSICn| 1q| 2r| Ys| Yt| MGE6SCu| 7/24/1991x| SCOREo| .STAFF. .note. binding color #490o| .STAFF. 0;

999 a| M1730.A535 F7 1950w| LCc| 1i| 30372017172955f| 1/31/2024g| 1l| MSTm| JMUSICr| Ys| Yt| MGESSCu| 4/28/2021x| SCOREz| MCIRCo| .STAFF. jjab; Robert Morris Collection;

French secular music of the late fourteenth century / edited by Willi Apel ; edition of the literary texts by Robert W. Linker and Urban T. Holmes, Jr. ; with foreword by Paul Hindemith.

Author/creator	Apel, Willi
Format	Musical Score
Publication Info	Cambridge, Mass. : Mediaeval Academy of America, 1950.
Description	xii, 39, 133 pages : plates. facsimiles ; 33 cm.
Subjects	Part songs--Scores.

Other author/creator	Apel, Willi, 1893-1988, editor.
Other author/creator	Linker, Robert White, editor.
Other author/creator	Holmes, Urban T., Jr., 1900-1972, editor.
Other author/creator	Matheus de Perusio.
Other author/creator	Anthonello, de Caserta, active 14th century-15th century.
Other author/creator	Solage, fl. 14th century.
Other author/creator	Trebor, active 14th century.
Other author/creator	Jacob, de Senleches, active 1378-1395.
Series	Publication (Mediaeval Academy of America) ; no. 55 Robert Morris Collection Publication (Mediaeval Academy of America) ; no. 55. ^A34086 Robert Morris Collection. UNAUTHORIZED
Contents	Le greygnour bien ; Le grant desir ; Se je me plaing ; Pres du soloil ; Dame que j'aym ; Puisque je sui ; Helas avril ; Dame souvrayne ; Heylas que feray ; Ne me chaut ; Belle sans per ; Pour bel acueil ; Trover ne puis ; Dame de honour plesant ; Se pour loyaulment servir ; Jusques a tant ; A qui fortune ; Pour Dieu vous pri ; Plus liés des liés ; Helas merci ; Par vous m'estuet ; Andray soulet / Matheus de Perusio -- Beauté parfaite ; Dame d'onour en qui ; Du val prilleus ; Amour m'a le cuer mis ; Notes pour moi ; Tres nouble dame ; Dame gentil ; Dame d'onour c'on ne puet / Anthonello de Caserta -- En l'amoureux vergier ; Corps femenin ; Calextone qui fut ; S'aincy estoit ; Le basile ; Helas je voy ; Pluseurs gens voy ; Tres gentil cuer ; Joieux de cuer ; Fumeux fume / Solage -- Passerose de beauté ; Helas pitié ; Quant joyne cuer ; En seumeillant ; Se Alixandre et Hector ; Se July Cesar / Trebor -- Fuions de ci ; Je me merveil ; En attendant esperance ; En ce gracieux tamps ; Tel me voit / Jacob de Senleches -- Martucius qui fut -- Amour me fait -- Ne celle amour -- De narcissus / Mag. Franciscus -- En atendant soufrir / Jo. Galiot -- Courtois et sages / Magister Egidius -- Une dame requis / Fr. Johannes Janua -- En remirant ; De ma dolour / Philipoctus de Caserta -- Ung lion say -- Mais qu'il vous legne -- Kere dame -- Contre le temps -- Tres douche -- Sus un fontayne / Ciconia -- Hé tres doulz roussignol ; Ma trédol rosignol / Borlet -- Par maintes foys / Vaillant -- Or sus vous dormez trop -- Onques ne fu -- Alarme, alarme / Grimace -- Restoés, restoés -- En tes douls flans -- S'espoir n'estoit -- Tres doulz amis / Vaillant -- Conbiens qu'il soyt -- Loyauté me tient / Garinus -- Hors suy je bien -- La grant beauté -- Tré doulz regard.
Abstract	The present publication is devoted to the first of these two schools, formed by the immediate successors of Machaut. The total repertory contained in the sources of this period consists of liturgical pieces (mass items, etc.), motets, and secular compositions, with the last category far outnumbering the two others. For instance, the above-mentioned three main sources contain approximately a dozen sacred compositions, about 15 motets, and over 200 secular pieces, mostly with French, but occasionally with Italian and Latin texts. In the following study only the French secular compositions, exclusive of those by Machaut, are considered. More than half of these are attributed to composers. The number of these composers is surprisingly great, and a complete list would include more than forty names. Practically all the compositions of our repertory belong to one of the three traditional formes fixes of French medieval poetry and music, that is, the ballade, the virelai, and the rondeau. The repertory of our sources can be divided into three stylistic groups, A, B, C, which can reasonably be assumed to represent three phases of a continuous development. These phases, for which the names "Machaut Style," "Manneristic Style," and "Modern Style" will be used, may be said to extend approximately from 1350 to 1370, from 1370 to 1390, and from 1390 to 1400, naturally more or less overlapping
General note	"81 compositions ... [including] the complete output of the five most prolific composers ... Matheus de Perusio ... Anthonellus de Caserta ... Solage, Trebor and Senleches."
LCCN	50007812

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	M2 .A535 F7	✔ Available
Music	Music Stacks	M1730.A535 F7 1950	✔ Available	Place Hold

French secular music of the late fourteenth century / edited by Willi Apel ; edition of the literary texts by Robert W. Linker and Urban T. Holmes, Jr. ; with foreword by Paul Hindemith.

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