The motet in the age of Du Fay / Julie E. Cumming.

Author/creator Cumming, Julie Emelyn
Format Book
Publication InfoCambridge ; New York : Cambridge University Press, 1999.
Descriptionxv, 418 pages : music ; 26 cm
Subjects

Contents Introduction -- Part I: Models and methods. Approaches and analogies ; Subgenre, interpretation, and the generic repertory ; Fifteenth-century uses of the term "motet" -- Part II: Motets in the early fifteenth century: the case of Bologna Q15. The motet section of Bologna Q15 and its ramifying roots ; A new hybrid subgenre: the cut-circle motet ; Other new hybrid subgenres ; The motet in the early fifteenth century: evolution and interpretation -- Part III: Motets in the mid-fifteenth century: the case of the Trent Codices. Motets in the Trent Codices: establishing the boundaries ; English and continental cantilena-style motets ; Motets with a tenor cantus firmus c. 1430-1450 ; Freely composed four-voice writing in transition ; The four-voice motet c. 1450-1475 -- Conclusion -- Appendix: Widely disseminated motets.
Abstract During the lifetime of Guillaume Du Fay (c.1400-1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of the surviving repertory, the author shows that the motet is best understood on the level of the subgenre. She employs new ideas about categories taken from cognitive psychology and evolutionary theory to illuminate the process by which the subgenres of the motet arose and evolved.
Bibliography noteIncludes bibliographical references (pages 357-373) and indexes.
LCCN 98044114
ISBN0521473772
ISBN9780521473774

Availability

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk ML3275 .C86 1999 ✔ Available Place Hold
Music Music Stacks ML3275 .C86 1999 ✔ Available Place Hold