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LEADER 03181cam 2200397 a 4500

001 ocm43186555;

003 OCoLC;

005 20141212150800.0;

008 010118s2000 nyug b 001 0 eng d;

010 a| 2001316929;

020 a| 1580460291;

035 a| (Sirsi) o43186555;

035 a| (OCoLC)43186555;

049 a| EREM;

050 00 a| ML448b| .W25 2000;

082 00 a| 784.18/722| 21;

100 1 a| Walker, Paul,d| 1953-=| ^A256347;

245 10 a| Theories of fugue from the age of Josquin to the age of Bach /c| Paul Mark Walker.;

260 a| Rochester, NY ;a| Woodbridge, UK :b| University of Rochester Press,c| 2000.;

300 a| 485 pages :b| music ;c| 23 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Eastman studies in music ;v| vol. 13;

504 a| Includes bibliographical references (pages 448-476) and index.;

505 00 g| Part I.t| Fugal theory of the Renaissance and early Baroque.t| Fugue in the high Renaissance --t| Fugue at the end of the Renaissance, Part I: Italy and the Netherlands --t| Fugue at the end of the Renaissance, Part II: Germany --t| German theory during the Thirty Years War: fugue in Latin school music texts --g| Part II.t| The genesis of the modern fugue: Italy and Germany in the mid-seventeenth century.t| Italian influence on German fugal theory, 1640-1680 --t| Instrumental fugue and the emergence of fugal structure in the third quarter of the seventeenth century --t| Invertible counterpoint and the Hamburg circle of theorists --g| Part III.t| German fugal theory of the mature Baroque, 1680-1740.t| Fugal theory, 1680-1710 --t| Fugal theory in German lexicographic texts --t| Fugal theory, 1710-1740: Mattheson and Fux.;

520 a| Few bodies of Western music are as widely respected, studied, and emulated as the fugues of Johann Sebastian Bach. Despite the esteem which Bach's contributions brought to the genre, however, the origin and early history of the fugue remain poorly understood. This book addresses both the history and methodology of the pre-Bach fugue (from roughly 1500 to 1700), and, of greatest significance to the literature, it seeks to present a way out of the methodological dilemma of uncertainty which has plagued previous scholarly attempts by considering what musicians of the time had to say about the fugue: what it was, what it was not, how important it was, and where and how a composer should (or shouldn't) use it.;

650 0 a| Fugue.=| ^A32923;

830 0 a| Eastman studies in music ;v| v. 13.=| ^A494093;

994 a| X0b| ERE;

596 a| 3;

998 a| 799408;

999 a| ML448 .W25 2000w| LCc| 1i| 30372013483646d| 6/27/2016e| 10/8/2007f| 7/7/2025g| 4l| MCSm| JMUSICn| 1p| $35.00r| Ys| Yt| MCSSBKu| 8/30/2005x| BOOKz| MCIRCo| .STAFF. 0o| .STAFF. Copy Statement : c. 2;

999 a| ML448 .W25 2000w| LCc| 2i| 30372009286797d| 1/10/2019e| 10/18/2018f| 4/4/2024g| 5l| MSTm| JMUSICn| 20q| 1r| Ys| Yt| MGESBKu| 5/8/2001x| BOOKz| MCIRCo| .STAFF. enhanced 10/31/22 -jjab;

999 a| ML448 .W25 2000w| LCc| 3i| 30372014684051d| 9/20/2019e| 9/15/2019f| 4/4/2024g| 4l| MSTm| JMUSICn| 3p| $45.00q| 1r| Ys| Yt| MGESBKu| 2/5/2009x| BOOKz| MCIRCo| .STAFF. 0;

Theories of fugue from the age of Josquin to the age of Bach / Paul Mark Walker.

Author/creator	Walker, Paul, 1953-
Format	Book
Publication Info	Rochester, NY ; Woodbridge, UK : University of Rochester Press, 2000.
Description	485 pages : music ; 23 cm.
Subjects	Fugue.

Series	Eastman studies in music ; vol. 13 Eastman studies in music ; v. 13. ^A494093
Contents	Part I. Fugal theory of the Renaissance and early Baroque. Fugue in the high Renaissance -- Fugue at the end of the Renaissance, Part I: Italy and the Netherlands -- Fugue at the end of the Renaissance, Part II: Germany -- German theory during the Thirty Years War: fugue in Latin school music texts -- Part II. The genesis of the modern fugue: Italy and Germany in the mid-seventeenth century. Italian influence on German fugal theory, 1640-1680 -- Instrumental fugue and the emergence of fugal structure in the third quarter of the seventeenth century -- Invertible counterpoint and the Hamburg circle of theorists -- Part III. German fugal theory of the mature Baroque, 1680-1740. Fugal theory, 1680-1710 -- Fugal theory in German lexicographic texts -- Fugal theory, 1710-1740: Mattheson and Fux.
Abstract	Few bodies of Western music are as widely respected, studied, and emulated as the fugues of Johann Sebastian Bach. Despite the esteem which Bach's contributions brought to the genre, however, the origin and early history of the fugue remain poorly understood. This book addresses both the history and methodology of the pre-Bach fugue (from roughly 1500 to 1700), and, of greatest significance to the literature, it seeks to present a way out of the methodological dilemma of uncertainty which has plagued previous scholarly attempts by considering what musicians of the time had to say about the fugue: what it was, what it was not, how important it was, and where and how a composer should (or shouldn't) use it.
Bibliography note	Includes bibliographical references (pages 448-476) and index.
LCCN	2001316929
ISBN	1580460291

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Library	Location	Call Number	Status	Item Actions
Music	Closed Stacks - Ask at Circulation Desk	ML448 .W25 2000	✔ Available	Place Hold
Music	Music Stacks	ML448 .W25 2000	✔ Available	Place Hold
Music	Music Stacks	ML448 .W25 2000	✔ Available	Place Hold

Theories of fugue from the age of Josquin to the age of Bach / Paul Mark Walker.

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