Temples for tomorrow : looking back at the Harlem Renaissance / edited by Geneviève Fabre and Michel Feith.

Contents "Temples for tomorrow": introductory essay / Geneviève Fabre and Michel Feith -- Racial doubt and racial shame in the Harlem Renaissance / Arnold Rampersad -- The syncopated African: constructions of origins in the Harlem Renaissance (literature, music, visual arts) / Michel Feith -- Oh Africa! The influence of African art during the Harlem Renaissance / Amy H. Kirschke -- Florence B. Price's "Negro symphony" / Rae Linda Brown -- Ethel Waters: the voice of an era / Randall Cherry -- Oscar Micheaux and the Harlem Renaissance / Clyde Taylor -- The tragedy and the joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man / Alessandro Portelli -- "The spell of Africa is upon me": W.E.B. DuBois's notion of art as propaganda / Alessandra Lorini -- Subject to disappearance: interracial identity in Nella Larsen's Quicksand / George Hutchinson -- No free gifts: Toomer's "Fern" and the Harlem Renaissance / William Boelhower -- Harlem as a memory place: reconstructing the Harlem Renaissance in space / Dorothea Löbbermann -- "A basin in the mind": language in Their Eyes Were Watching God / Claudine Raynaud -- Langston Hughes's blues / Monica Michlin -- The tropics in New York: Claude McKay and the new Negro movement / Carl Pedersen -- The West Indian presence in Alain Locke's The New Negro (1925) / Françoise Charras -- Three ways to translate the Harlem Renaissance / Brent Hayes Edwards -- The Harlem Renaissance abroad: French critics and the new Negro literary movement (1924-1964) / Michel Fabre.
Local noteLittle-328467--305131026570X
Bibliography noteIncludes bibliographical references (p. 351-378) and index.
LCCN 00063426
ISBN0253328861 (alk. paper)
ISBN0253214254 (pa : alk. paper)

Availability

Library Location Call Number Status Item Actions
Joyner General Stacks PS153.B53 T45 2001 ✔ Available Place Hold