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001 ocm49349786;

003 OCoLC;

005 20141212163100.0;

008 020227s2002 nyu b 001 0 eng ;

010 a| 2002002524;

020 a| 0415939542 (acid-free paper);

035 a| (Sirsi) o49349786;

035 a| (OCoLC)49349786;

040 a| DLCc| DLCd| YDXd| UtOrBLW;

043 a| n-us---;

049 a| EREE;

050 00 a| PS374.B635b| A84 2002;

082 00 a| 813.009/23/089960732| 21;

100 1 a| Ashe, Bertram D.,d| 1959-=| ^A520830;

245 10 a| From within the frame :b| storytelling in African-American fiction /c| Bertram D. Ashe.;

260 a| New York :b| Routledge,c| 2002.;

300 a| ix, 147 pages ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Literary criticism and cultural theory;

504 a| Includes bibliographical references (p. 133-141) and index.;

505 0 a| A little personal attention : storytelling and the Black audience in Charles Chesnutt's The conjure woman -- Ah don't mean to bother wid tellin' 'em nothin' : Zora Neale Hurston's critique of the storytelling aesthetic in Their eyes were watching God -- Listening to the blues : Ralph Ellison's Trueblood episode in Invisible man -- The best "possible returns" : storytelling and gender relations in James Alan Mcpherson's "The story of a scar" -- From within the frame : narrative negotiations with the Black aesthetic in Toni Cade Bambara's "My man Bovanne" -- Would she have believed any of it? : interrogating the storytelling motive in John Edgar Wideman's "Doc's story.";

650 0 a| American fictionx| African American authorsx| History and criticism.=| ^A77228;

650 0 a| American fictiony| 20th centuryx| History and criticism.=| ^A22044;

650 0 a| Frame-storiesx| History and criticism.=| ^A234712;

650 0 a| African Americans in literature.=| ^A49990;

650 0 a| Storytelling in literature.=| ^A232036;

830 0 a| Literary criticism and cultural theory.=| ^A445191;

994 a| X0b| ERE;

910 a| PromptCat;

980 a| 2002-07-31b| 65d| 3.55e| 54.6f| 58247;

596 a| 1;

998 a| 883207;

999 a| PS374.B635 A84 2002w| LCc| 1i| 30372011762280d| 10/5/2022e| 10/4/2022f| 7/25/2012g| 3l| JGESm| JOYNERn| 15p| $54.60r| Ys| Yt| JGESBKu| 9/11/2002x| BOOKz| JSTACKSo| .STAFF. 0;

From within the frame : storytelling in African-American fiction / Bertram D. Ashe.

Author/creator	Ashe, Bertram D., 1959-
Format	Book
Publication Info	New York : Routledge, 2002.
Description	ix, 147 pages ; 24 cm.
Subjects	American fiction--African American authors. --History and criticism. American fiction--20th century. --History and criticism. Frame-stories--History and criticism. African Americans in literature. Storytelling in literature.

Series	Literary criticism and cultural theory Literary criticism and cultural theory. ^A445191
Contents	A little personal attention : storytelling and the Black audience in Charles Chesnutt's The conjure woman -- Ah don't mean to bother wid tellin' 'em nothin' : Zora Neale Hurston's critique of the storytelling aesthetic in Their eyes were watching God -- Listening to the blues : Ralph Ellison's Trueblood episode in Invisible man -- The best "possible returns" : storytelling and gender relations in James Alan Mcpherson's "The story of a scar" -- From within the frame : narrative negotiations with the Black aesthetic in Toni Cade Bambara's "My man Bovanne" -- Would she have believed any of it? : interrogating the storytelling motive in John Edgar Wideman's "Doc's story."
Bibliography note	Includes bibliographical references (p. 133-141) and index.
LCCN	2002002524
ISBN	0415939542 (acid-free paper)

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Joyner	General Stacks	PS374.B635 A84 2002	✔ Available	Place Hold

From within the frame : storytelling in African-American fiction / Bertram D. Ashe.

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