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001 ocm49853594;

003 OCoLC;

005 20141212164051.0;

008 020517s2002 enka b 001 0deng ;

010 a| 2002071579;

019 a| 50272602;

020 a| 0521807379;

020 a| 052100196X (pbk.);

035 a| (Sirsi) o49853594;

035 a| (OCoLC)49853594;

042 a| pcc;

049 a| EREM;

050 00 a| ML196b| .G37 2002;

082 00 a| 780/.9/0342| 21;

100 1 a| Garratt, James,d| 1974-=| ^A525548;

245 10 a| Palestrina and the German romantic imagination :b| Interpreting historicism in nineteenth-century music /c| James Garratt.;

260 a| Cambridge :b| New York :b| Cambridge University Press,c| 2002.;

300 a| xiv, 318 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Musical performance and reception;

504 a| Includes bibliographical references (pages 296-310) and index.;

505 00 t| Historicism in nineteenth-century art, aesthetics and culture.t| Originality: consensus or controversy? ;t| 'On the benefit and detriment of history' ;t| Hegel, historicism and the 'Decay and disintegration of art' --t| Romanticism and the problem of church music.t| Hoffmann and the romantic idealization of Palestrina ;t| Palestrina and the Romantic new mythology ;t| Palestrina and absolute vocal music ;t| Palestrina and the modern composer --t| The protestant Palestrina revival.t| Old Italian music, bildung and the German singvereine ;t| Quasi-liturgical music: Spohr and Nicolai ;t| Mendelssohn and the Berlin Palestrina revival ;t| Winterfeld and the historical Palestrina revival ;t| Broader trends in performance and composition ;t| Palestrina and the primacy of vocal music --t| The Catholic Palestrina revival.t| Tradition and reform ;t| Witt and the Allegemeine Deutsche Cacilen-Verein ;t| Broader trends in composition: Palestrinianism ;t| Completing Palestrina: Haberl, Haller and the Gesamtausgabe ;t| Liturgical function and aesthetic value ;t| Liszt, Bruckner and the Palestrina revival --t| Palestrina in the concert hall.t| Palestrina in secular and non-liturgical music ;t| Wagner's 'Stabat mater' and the poetics of arrangement ;t| Liszt, Wagner and allusion --t| Interpreting the secondary discourse of nineteenth-century music.;

520 a| Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative new model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers new perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This is the first modern publication to provide an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition, and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival.;

600 10 a| Palestrina, Giovanni Pierluigi da,d| 1525?-1594.=| ^A32925;

650 0 a| Musicy| 19th centuryx| History and criticism.=| ^A145272;

650 0 a| Choral music.=| ^A299318;

650 0 a| Historicism.=| ^A80305;

830 0 a| Musical performance and reception.=| ^A522440;

994 a| X0b| ERE;

596 a| 3;

998 a| 890772;

999 a| ML196 .G37 2002w| LCc| 1i| 30372011803514d| 7/14/2014e| 10/17/2013f| 2/25/2024g| 4l| MSTm| JMUSICn| 21q| 1r| Ys| Yt| MGESBKu| 10/28/2002x| BOOKz| MCIRCo| .STAFF. 0;

Palestrina and the German romantic imagination : Interpreting historicism in nineteenth-century music / James Garratt.

Author/creator	Garratt, James, 1974-
Format	Book
Publication Info	Cambridge : New York : Cambridge University Press, 2002.
Description	xiv, 318 pages : illustrations ; 24 cm.
Subjects	Palestrina, Giovanni Pierluigi da, 1525?-1594. Music--19th century. --History and criticism. Choral music. Historicism.

Series	Musical performance and reception Musical performance and reception. ^A522440
Contents	Historicism in nineteenth-century art, aesthetics and culture. Originality: consensus or controversy? ; 'On the benefit and detriment of history' ; Hegel, historicism and the 'Decay and disintegration of art' -- Romanticism and the problem of church music. Hoffmann and the romantic idealization of Palestrina ; Palestrina and the Romantic new mythology ; Palestrina and absolute vocal music ; Palestrina and the modern composer -- The protestant Palestrina revival. Old Italian music, bildung and the German singvereine ; Quasi-liturgical music: Spohr and Nicolai ; Mendelssohn and the Berlin Palestrina revival ; Winterfeld and the historical Palestrina revival ; Broader trends in performance and composition ; Palestrina and the primacy of vocal music -- The Catholic Palestrina revival. Tradition and reform ; Witt and the Allegemeine Deutsche Cacilen-Verein ; Broader trends in composition: Palestrinianism ; Completing Palestrina: Haberl, Haller and the Gesamtausgabe ; Liturgical function and aesthetic value ; Liszt, Bruckner and the Palestrina revival -- Palestrina in the concert hall. Palestrina in secular and non-liturgical music ; Wagner's 'Stabat mater' and the poetics of arrangement ; Liszt, Wagner and allusion -- Interpreting the secondary discourse of nineteenth-century music.
Abstract	Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative new model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers new perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This is the first modern publication to provide an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition, and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival.
Bibliography note	Includes bibliographical references (pages 296-310) and index.
LCCN	2002071579
ISBN	0521807379
ISBN	052100196X (pbk.)

Palestrina and the German romantic imagination : Interpreting historicism in nineteenth-century music / James Garratt.

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