Conceptualizing music : cognitive structure, theory, and analysis / Lawrence M. Zbikowski.

Author/creator Zbikowski, Lawrence Michael
Format Book
Publication InfoOxford ; New York : Oxford University Press, 2002.
Descriptionxiv, 360 pages : illustrations, music ; 25 cm.
Subjects

SeriesAMS studies in music series
AMS studies in music. ^A610677
Contents Introduction: Conceptualizing music -- Categorization -- Cross-domain mapping -- Conceptual models and theories -- Categorization, compositional strategy, and musical syntax -- Cultural knowledge and musical ontology -- Words, music, and song: the nineteenth-century Lied -- Competing models of music: theories of musical form and hierarchy -- Conclusion: cognitive structure, theory, and analysis.
Abstract Music theory is often seen as an arcane and somewhat forbidding discipline which stands at a distance from the sweet pleasure and sensuous thrill that is music. Theory, according to this view, is concerned with scales and chords and intervals, or with complicated and highly abstract systems of musical relationships. It is not concerned with how music captivates us. But the author argues that this common view of music theory is wrong. Theorizing about music is something we do every time we try to make sense of our musical experience, and it involves the same cognitive capacities we use to make sense of the world as a whole. The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it.
Bibliography noteIncludes bibliographical references (pages 335-352) and index.
LCCN 2001058756
ISBN0195140230

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML3838 .Z25 2002 ✔ Available Place Hold