Tools

LEADER 02976nam 22004094a 4500

001 ocm48905646;

003 OCoLC;

005 20141212170549.0;

008 020125s2003 enka b 001 0 eng ;

010 a| 2002019632;

020 a| 0195139054;

035 a| (Sirsi) o48905646;

035 a| (OCoLC)48905646;

042 a| pcc;

049 a| EREM;

050 00 a| ML427.E27b| S65 2003;

082 00 a| 070.5/794/0922| 21;

100 1 a| Smith, Jeremy L.,d| 1962-=| ^A537658;

245 10 a| Thomas East and music publishing in Renaissance England /c| Jeremy L. Smith.;

260 a| Oxford ;a| New York :b| Oxford University Press,c| 2003.;

300 a| 233 pages :b| illustrations ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| Includes chronology of East's editions.;

504 a| Includes bibliographical references (pages 216-228) and index.;

505 0 a| The life and early career of Thomas East -- Music printing as an enterprise in London before 1588 -- Bibliographical issues: East's music printshop and chronological puzzles -- Music publishing during Byrd's monopoly (1588-1593) -- Part I: Byrd's publishing agenda -- Music printing during Byrd's monopoly (1588-1593) -- Part II: The benefits to East -- The Morley era: Competition in London music printing and publishing (1593-1602) -- Thomas East and the sphere of public affairs in the twilight years of the Elizabethan era -- East's last years, his legacy, and the two music patents of the early Stuart era (1603-1611) -- Observations on typographical variants among East's hidden editions and their originals -- The East-Hassell-Snodham-Field connection.;

520 a| In the London of William Shakespeare and William Byrd, Thomas East was the premier printer of music, and a major figure in the flourishing publishing industry. Prominent composers, including Byrd and Thomas Morley, published almost exclusively with East. Indeed, very little happened in the music trade that did not figure in East's sphere of interest or influence. This book not only tells the story of this influential player in early English music publishing, but also offers a vivid portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. From this lively market, beset as it was by monopolies and lawsuits, a prototype of today's copyright system emerged.;

600 10 a| East, Thomas,d| 1540?-1608?=| ^A537659;

650 0 a| Music publishersz| England.=| ^A827297;

650 0 a| Music publishingz| Englandy| 16th century.=| ^A131505;

650 0 a| Music publishingz| Englandy| 17th century.=| ^A131505;

994 a| X0b| ERE;

596 a| 3;

998 a| 909551;

999 a| ML427.E27 S65 2003w| LCc| 1i| 30372011891634d| 3/15/2018e| 2/5/2018f| 4/4/2024g| 4l| MSTm| JMUSICn| 8p| $54.60r| Ys| Yt| MGESBKu| 5/20/2003x| BOOKz| MCIRCo| .STAFF. enhanced 7/30/24 -jjab;

Thomas East and music publishing in Renaissance England / Jeremy L. Smith.

Author/creator	Smith, Jeremy L., 1962-
Format	Book
Publication Info	Oxford ; New York : Oxford University Press, 2003.
Description	233 pages : illustrations ; 25 cm
Subjects	East, Thomas, 1540?-1608? Music publishers--England. Music publishing--England. --16th century. Music publishing--England. --17th century.

Contents	The life and early career of Thomas East -- Music printing as an enterprise in London before 1588 -- Bibliographical issues: East's music printshop and chronological puzzles -- Music publishing during Byrd's monopoly (1588-1593) -- Part I: Byrd's publishing agenda -- Music printing during Byrd's monopoly (1588-1593) -- Part II: The benefits to East -- The Morley era: Competition in London music printing and publishing (1593-1602) -- Thomas East and the sphere of public affairs in the twilight years of the Elizabethan era -- East's last years, his legacy, and the two music patents of the early Stuart era (1603-1611) -- Observations on typographical variants among East's hidden editions and their originals -- The East-Hassell-Snodham-Field connection.
Abstract	In the London of William Shakespeare and William Byrd, Thomas East was the premier printer of music, and a major figure in the flourishing publishing industry. Prominent composers, including Byrd and Thomas Morley, published almost exclusively with East. Indeed, very little happened in the music trade that did not figure in East's sphere of interest or influence. This book not only tells the story of this influential player in early English music publishing, but also offers a vivid portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. From this lively market, beset as it was by monopolies and lawsuits, a prototype of today's copyright system emerged.
General note	Includes chronology of East's editions.
Bibliography note	Includes bibliographical references (pages 216-228) and index.
LCCN	2002019632
ISBN	0195139054

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML427.E27 S65 2003	✔ Available	Place Hold

Thomas East and music publishing in Renaissance England / Jeremy L. Smith.

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