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001 ocm47716493;

003 OCoLC;

005 20141212171359.0;

008 010725s2002 enka bk 001 0 eng ;

010 a| 2001047160;

019 a| 48111181;

020 a| 0826455867;

035 a| (Sirsi) o47716493;

035 a| (OCoLC)47716493;

041 1 a| engh| fre;

042 a| pcc;

049 a| EREM;

050 00 a| ML3486.C8b| L313 2002;

082 00 a| 781.64/0972912| 21;

100 1 a| Leymarie, Isabelle.=| ^A540997;

240 10 a| Cuban fire.l| English=| ^A540997;

245 10 a| Cuban fire :b| the saga of salsa and Latin jazz /c| Isabelle Leymarie.;

260 a| London ;a| New York :b| Continuum,c| 2002.;

300 a| vi, 394 pages :b| illustrations ;c| 26 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| Translation of: Cuban fire : musiques populaires d'expression cubaine.;

504 a| Includes discography (pages 360-364), bibliographical references (pages 365-369), and index.;

505 0 a| The roots -- From African liturgies to Creole rhythms -- The 1920s and 1930s: son, rumba, and conga -- Havana and Cuba -- The United States and Puerto Rico -- The 1940s and 1950s: the golden age of Cuban music -- Havana and Cuba -- The United States and Puerto Rico -- The 1960s: the pachanga, the boogaloo, and Latin soul -- Havana and Cuba -- The United States and Puerto Rico -- From the 1970s until today: advent of the songo -- Havana and Cuba -- The United States and Puerto Rico -- The rest of the world -- Conclusion.;

520 a| Afro-Cuban music derives its richness from the fusion of various cultures. On the island of tobacco, rum and coffee, sacred and secular African musical genres have merged with Spanish and French melodies to give rise to numerous genres that have gained international fame: son, rhumba, guaracheam congal mambo, cha-cha-cha, pachanga, and nuova timba. The history of Cuban music unfolds in the United States, where many large Cuban, Puerto Rican, Dominican, and other Hispanic communities have grown up over the years. It was in New York that such genres as boogaloo, salsa, and Latin jazz, emerged out of contact between Puerto Rican and African American communities. This book also deals with the incandescent rhythms of Puerto Rico and Santo Damingo, integrated today into salsa and Latin jazz.;

650 0 a| Popular musicz| Cubax| History and criticism.=| ^A200316;

650 0 a| Folk musicz| Cubax| History and criticism.=| ^A292481;

994 a| X0b| ERE;

596 a| 3;

998 a| 916157;

999 a| ML3486.C8 L313 2002w| LCc| 1i| 30372011937338d| 5/2/2018e| 4/8/2018f| 4/11/2024g| 4l| MSTm| JMUSICn| 9p| $25.16q| 2r| Ys| Yt| MGESBKu| 8/14/2003x| BOOKz| MCIRCo| .STAFF. enhanced 9/15/23 -jjab;

Cuban fire : the saga of salsa and Latin jazz / Isabelle Leymarie.

Author/creator	Leymarie, Isabelle
Format	Book
Publication Info	London ; New York : Continuum, 2002.
Description	vi, 394 pages : illustrations ; 26 cm
Subjects	Popular music--Cuba. --History and criticism. Folk music--Cuba. --History and criticism.

Uniform title	Cuban fire. English
Contents	The roots -- From African liturgies to Creole rhythms -- The 1920s and 1930s: son, rumba, and conga -- Havana and Cuba -- The United States and Puerto Rico -- The 1940s and 1950s: the golden age of Cuban music -- Havana and Cuba -- The United States and Puerto Rico -- The 1960s: the pachanga, the boogaloo, and Latin soul -- Havana and Cuba -- The United States and Puerto Rico -- From the 1970s until today: advent of the songo -- Havana and Cuba -- The United States and Puerto Rico -- The rest of the world -- Conclusion.
Abstract	Afro-Cuban music derives its richness from the fusion of various cultures. On the island of tobacco, rum and coffee, sacred and secular African musical genres have merged with Spanish and French melodies to give rise to numerous genres that have gained international fame: son, rhumba, guaracheam congal mambo, cha-cha-cha, pachanga, and nuova timba. The history of Cuban music unfolds in the United States, where many large Cuban, Puerto Rican, Dominican, and other Hispanic communities have grown up over the years. It was in New York that such genres as boogaloo, salsa, and Latin jazz, emerged out of contact between Puerto Rican and African American communities. This book also deals with the incandescent rhythms of Puerto Rico and Santo Damingo, integrated today into salsa and Latin jazz.
General note	Translation of: Cuban fire : musiques populaires d'expression cubaine.
Bibliography note	Includes discography (pages 360-364), bibliographical references (pages 365-369), and index.
LCCN	2001047160
ISBN	0826455867

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3486.C8 L313 2002	✔ Available	Place Hold

Cuban fire : the saga of salsa and Latin jazz / Isabelle Leymarie.

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