Tools

LEADER 06002cam 22004334a 4500

001 ocm49619079;

003 OCoLC;

005 20141212172034.0;

008 020416s2002 wiuabgm b s001 0 eng ;

010 a| 2002005904;

020 a| 0924119047 (hardcover);

035 a| (Sirsi) o49619079;

035 a| (OCoLC)49619079;

042 a| pcc;

049 a| EREMa| ERED;

050 04 a| ML3555b| .L36 2002;

082 00 a| 780/.89/310732| 21;

245 00 a| Land without nightingales :b| music in the making of German-America /c| edited by Philip V. Bohlman and Otto Holzapfel.;

300 a| xix, 301 pages :b| illustrations, maps, music ;c| 24 cm +e| 1 CD (4 3/4 in.);

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Studies of the Max Kade Institute for German American Studies;

504 a| Includes bibliographical references (pages 292-293) and indexes.;

505 00 t| The musical culture of German-Americans, views from different sides of the hyphen /r| Otto Holzapfel and Philip V. Bohlman --t| Ethnicity and musical culture among the German Catholics of the Sauk, 1854-1920 /r| Kathleen Neils Conzen --t| Glimpses of an ethnic mentality, six German-Swiss texts of migration-related folk songs /r| Leo Schelbert --t| Music-related commerce in some Moravian accounts /r| Laurence Libin --t| Lutheran hymnody and networks in the eighteenth century /r| A. Gregg Roeber --t| Ethnic musics/religious identities, toward an historiography of German-American sacred music /r| Philip V. Bohlman --t| Musical life among the Canadian Hutterites /r| Helmut Wulz --t| The German concertina in the upper Midwest /r| James P. Leary --t| "Ein Prosit der Gemütlichkeit," the traditionalization process in a German-American singing society /r| Alan R. Burdette --t| Burgenland-American music and the "ethnic mainstream" /r| Rudolf Pietsch.;

505 8 a| CD contents: Traditional soundprints. I bin ja ka Steirer = I'm no Styrian (Frau Müller, Herr Niemsee) ; Ländler (Irving DeWitz) ; Neue Schnadahüpferl (Fritz Koch and Orchestra) ; Och Moder, ich will en Din han = Oh mother, I want that thing (Elinor Navarry, Julia Kübler) ; In des Gartens dunkler Laube = In the shadows of the garden (Ella Mittelstadt Fischer) -- Choral singing and social music making. An die Heimat = To the Homeland (Franz Schubert Männerchor) ; Bundesgruss/Introduction/Zwei Blümchen (Germania Männerchor) ; Helena Polka (The Rhein Valley Brass) -- Viennese urban traditions. Wiener Bürgerwalzer = Viennese citizens' waltz / Johann Strauss, Jr. (Henry Schuckert, Henry Schepp) ; Im Prater blühen wieder die Bäume = The trees in the Prater are again in blossom / Robert Stoltz (Adolf Engel ; Elsbet Nolte) ; Wiener Praterleben = Life in the Prater of Vienna (Richard Waldemar) -- Sacred traditions. Meine Seele erhebet dem Herrn = My soul lifts up to the Lord (Jeremiah Dencke) ; Le-David Mizmor = Remember David (Zanvel (Zewulon) Kwartin) ; Wo findet die Seele die Heimat der Ruh'? = Where does the soul rest in its home? (Clara Stuewer and Meta Brusewitz) -- Mixed languages/mixed traditions. Vos vet zein az Moschiach vet kumen? = What will happen when the Messiah comes? / Max Janowski (Friends of Jewish Music) ; Lauterbach and Mein Hut medley (Albert Kolberg) ; Gate City march (Kosatka Concertina Quartet) -- Polka and dance. Holz-Auktion = Wood Auction (Whoopee John Wilfahrt) ; Czy pamietasz cóś mowiła? = Do you remember what you were saying? (Henry Schuckert ; Henry Schepp) ; Aunt Ella's polka (Whoopee John Wilfahrt) -- Concertina traditions. Repasz Band march (Kosatka Concertina Quartet) ; Francuska polka = Polka française (Bruno Rudzinski) ; W noc letnia waltz = On a summer night [waltz] (Rudy Patek ; Charles Blim) -- Burgenland music from the polka belt. She's too fat for me (Eddie Kemeter) ; Golden slippers hoedown (Eddie Kemeter) ; Krumpirnsupp'n Lied (The Shanta Band) ; Du weisst genau, ich wart' auf dich = You know exactly, I'm waiting for you ; Wohl auf der Alm = One the alpine meadow ; Hoam geht's net = You can't go home (The Austrian Mixed Chorus of Chicago).;

520 a| Despite the laments of some nineteenth-century German immigrants that America was a land bereft of poetry and song, a "land without nightingales," the history of German American music is a rich one. This book explores the wide variety of forms of musical expression among German-speaking immigrants to America and their descendants from the eighteenth century to the present. Topics range from Moravian music in colonial America to musical life among twenty-first century Canadian Hutterites, from polka music to German singing societies, from Lutheran hymns to the songs of German-speaking Catholic and Jewish immigrants, and from the songs of German-speaking Swiss settlers to the music of immigrants from the Burgenland region of Austria. Underlying these diverse contributions is a common theme--the constant interplay between the German and American sides of the hyphen of "German-American" to be found in all these musical styles. A companion CD includes musical selections that complement and expand upon this theme.;

650 0 a| German Americansx| Musicx| History and criticism.=| ^A33187;

650 0 a| Folk musicz| United Statesx| History and criticism.=| ^A136350;

700 1 a| Bohlman, Philip V.,d| 1952-e| editor.=| ^A225631;

700 1 a| Holzapfel, Otto,e| editor.=| ^A561017;

830 0 a| Studies of the Max Kade Institute for German-American Studies.=| ^A627989;

994 a| X0b| ERE;

596 a| 3;

998 a| 921345;

999 a| CD-6348w| ALPHANUMc| 1i| 30372012096647d| 6/9/2017e| 12/6/2006f| 6/9/2017g| 2l| MMEm| JMUSICn| 2r| Ys| Yt| MMESCDu| 11/7/2003x| CDz| MMEDIAo| .STAFF. 0;

999 a| ML3555 .L36 2002w| LCc| 1i| 30372012096639d| 7/16/2014e| 12/6/2006f| 4/24/2024g| 4l| MSTm| JMUSICn| 1p| $49.95r| Ys| Yt| MGESBKu| 10/3/2003x| BOOKz| MCIRCo| .STAFF. enhanced 10/20/23 -jjab;

Land without nightingales : music in the making of German-America / edited by Philip V. Bohlman and Otto Holzapfel.

Other author	Bohlman, Philip V., 1952- editor.
Other author	Holzapfel, Otto, editor.
Format	Book
Publication Info	Madison : University of Wisconsin-Madison, ©2002.
Description	xix, 301 pages : illustrations, maps, music ; 24 cm + 1 CD (4 3/4 in.)
Subjects	German Americans--Music. --History and criticism. Folk music--United States. --History and criticism.

Series	Studies of the Max Kade Institute for German American Studies Studies of the Max Kade Institute for German-American Studies. ^A627989
Contents	The musical culture of German-Americans, views from different sides of the hyphen / Otto Holzapfel and Philip V. Bohlman -- Ethnicity and musical culture among the German Catholics of the Sauk, 1854-1920 / Kathleen Neils Conzen -- Glimpses of an ethnic mentality, six German-Swiss texts of migration-related folk songs / Leo Schelbert -- Music-related commerce in some Moravian accounts / Laurence Libin -- Lutheran hymnody and networks in the eighteenth century / A. Gregg Roeber -- Ethnic musics/religious identities, toward an historiography of German-American sacred music / Philip V. Bohlman -- Musical life among the Canadian Hutterites / Helmut Wulz -- The German concertina in the upper Midwest / James P. Leary -- "Ein Prosit der Gemütlichkeit," the traditionalization process in a German-American singing society / Alan R. Burdette -- Burgenland-American music and the "ethnic mainstream" / Rudolf Pietsch.
Contents	CD contents: Traditional soundprints. I bin ja ka Steirer = I'm no Styrian (Frau Müller, Herr Niemsee) ; Ländler (Irving DeWitz) ; Neue Schnadahüpferl (Fritz Koch and Orchestra) ; Och Moder, ich will en Din han = Oh mother, I want that thing (Elinor Navarry, Julia Kübler) ; In des Gartens dunkler Laube = In the shadows of the garden (Ella Mittelstadt Fischer) -- Choral singing and social music making. An die Heimat = To the Homeland (Franz Schubert Männerchor) ; Bundesgruss/Introduction/Zwei Blümchen (Germania Männerchor) ; Helena Polka (The Rhein Valley Brass) -- Viennese urban traditions. Wiener Bürgerwalzer = Viennese citizens' waltz / Johann Strauss, Jr. (Henry Schuckert, Henry Schepp) ; Im Prater blühen wieder die Bäume = The trees in the Prater are again in blossom / Robert Stoltz (Adolf Engel ; Elsbet Nolte) ; Wiener Praterleben = Life in the Prater of Vienna (Richard Waldemar) -- Sacred traditions. Meine Seele erhebet dem Herrn = My soul lifts up to the Lord (Jeremiah Dencke) ; Le-David Mizmor = Remember David (Zanvel (Zewulon) Kwartin) ; Wo findet die Seele die Heimat der Ruh'? = Where does the soul rest in its home? (Clara Stuewer and Meta Brusewitz) -- Mixed languages/mixed traditions. Vos vet zein az Moschiach vet kumen? = What will happen when the Messiah comes? / Max Janowski (Friends of Jewish Music) ; Lauterbach and Mein Hut medley (Albert Kolberg) ; Gate City march (Kosatka Concertina Quartet) -- Polka and dance. Holz-Auktion = Wood Auction (Whoopee John Wilfahrt) ; Czy pamietasz cóś mowiła? = Do you remember what you were saying? (Henry Schuckert ; Henry Schepp) ; Aunt Ella's polka (Whoopee John Wilfahrt) -- Concertina traditions. Repasz Band march (Kosatka Concertina Quartet) ; Francuska polka = Polka française (Bruno Rudzinski) ; W noc letnia waltz = On a summer night [waltz] (Rudy Patek ; Charles Blim) -- Burgenland music from the polka belt. She's too fat for me (Eddie Kemeter) ; Golden slippers hoedown (Eddie Kemeter) ; Krumpirnsupp'n Lied (The Shanta Band) ; Du weisst genau, ich wart' auf dich = You know exactly, I'm waiting for you ; Wohl auf der Alm = One the alpine meadow ; Hoam geht's net = You can't go home (The Austrian Mixed Chorus of Chicago).
Abstract	Despite the laments of some nineteenth-century German immigrants that America was a land bereft of poetry and song, a "land without nightingales," the history of German American music is a rich one. This book explores the wide variety of forms of musical expression among German-speaking immigrants to America and their descendants from the eighteenth century to the present. Topics range from Moravian music in colonial America to musical life among twenty-first century Canadian Hutterites, from polka music to German singing societies, from Lutheran hymns to the songs of German-speaking Catholic and Jewish immigrants, and from the songs of German-speaking Swiss settlers to the music of immigrants from the Burgenland region of Austria. Underlying these diverse contributions is a common theme--the constant interplay between the German and American sides of the hyphen of "German-American" to be found in all these musical styles. A companion CD includes musical selections that complement and expand upon this theme.
Bibliography note	Includes bibliographical references (pages 292-293) and indexes.
LCCN	2002005904
ISBN	0924119047 (hardcover)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Media - Ask at Circulation Desk	CD-6348	✔ Available	Place Hold
Music	Music Stacks	ML3555 .L36 2002	✔ Available	Place Hold

Land without nightingales : music in the making of German-America / edited by Philip V. Bohlman and Otto Holzapfel.

Click here for more information about this title

Availability