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LEADER 02171pam 22003734a 4500

001 ocm52514349;

003 OCoLC;

005 20141212173347.0;

008 030620s2003 enka b 001 0 eng ;

010 a| 2003014197;

020 a| 019514483X (hardcover : alk. paper);

035 a| (Sirsi) o52514349;

035 a| (OCoLC)52514349;

040 a| DLCc| DLCd| UtOrBLW;

042 a| pcc;

049 a| EREM;

050 00 a| ML945b| .R52 2003;

082 00 a| 788.6/219/090332| 21;

100 1 a| Rice, Albert R.=| ^A286380;

245 14 a| The clarinet in the classical period /c| Albert R. Rice.;

260 a| Oxford ;a| New York :b| Oxford University Press,c| 2003.;

300 a| xx, 316 pages :b| illustrations ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 271-302) and indexes.;

505 0 a| General design and construction characteristics -- Historical development -- Playing techniques -- Music for the classical clarinet -- The clarinet in performing groups.;

520 a| This book provides a detailed review of the achievements of the period's most important clarinet makers, including James Wood, Teobaldo Monzani, and Jean-Francois Simiot, as well as the innovations of creative performers such as Ivan Muller and Cesar Janssen. The author offers new research regarding the practice of clef notation by Italian, French, and German composers, clarifying their use of transposing clarinets. The book also explores the creative relationships of two key trios of composer, maker, and performer--Carl Maria von Weber, Heinrich Baermann, and Jean-Jacques Baumann; and Mozart, Anton Stadler, and Theodore Lotz--examining how clarinet construction and performance practice developed in tandem with musical styles.;

650 0 a| Clarinetx| Historyy| 18th century.=| ^A36899;

650 0 a| Clarinetx| Historyy| 19th century.=| ^A36899;

994 a| X0b| ERE;

596 a| 3;

998 a| 933170;

999 a| ML945 .R52 2003w| LCc| 1i| 30372012156540d| 12/9/2024e| 9/5/2024f| 4/4/2024g| 4l| MSTm| JMUSICn| 17p| $62.16r| Ys| Yt| MGESBKu| 1/13/2004x| BOOKz| MCIRCo| .STAFF. enhanced 12/5/22 -jjab;

The clarinet in the classical period / Albert R. Rice.

Author/creator	Rice, Albert R.
Format	Book
Publication Info	Oxford ; New York : Oxford University Press, 2003.
Description	xx, 316 pages : illustrations ; 25 cm
Subjects	Clarinet--History. --18th century. Clarinet--History. --19th century.

Contents	General design and construction characteristics -- Historical development -- Playing techniques -- Music for the classical clarinet -- The clarinet in performing groups.
Abstract	This book provides a detailed review of the achievements of the period's most important clarinet makers, including James Wood, Teobaldo Monzani, and Jean-Francois Simiot, as well as the innovations of creative performers such as Ivan Muller and Cesar Janssen. The author offers new research regarding the practice of clef notation by Italian, French, and German composers, clarifying their use of transposing clarinets. The book also explores the creative relationships of two key trios of composer, maker, and performer--Carl Maria von Weber, Heinrich Baermann, and Jean-Jacques Baumann; and Mozart, Anton Stadler, and Theodore Lotz--examining how clarinet construction and performance practice developed in tandem with musical styles.
Bibliography note	Includes bibliographical references (pages 271-302) and indexes.
LCCN	2003014197
ISBN	019514483X (hardcover : alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML945 .R52 2003	✔ Available	Place Hold

The clarinet in the classical period / Albert R. Rice.

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