The Barber of Seville = Il Barbiere di Siviglia ; Moses = Moïse et Pharaon / Gioachino Rossini.

Author/creator Rossini, Gioacchino
Format Book
PublicationLondon : John Calder ; New York : Riverrun Press, [1985]
Description160 pages : illustrations ; 22 cm.
Subjects

Included WorkRossini, Gioacchino, 1792-1868. Barbiere di Siviglia.
Included WorkRossini, Gioacchino, 1792-1868. Moïse et Pharaon.
Included WorkSterbini, Cesare, 1784-1831. Barbiere di Siviglia.
Included WorkSterbini, Cesare, 1784-1831. Barbiere di Siviglia. English.
Included WorkBalocchi, Luigi, 1766-1832. Moïse et Pharaon.
Included WorkBalocchi, Luigi, 1766-1832. Moïse et Pharaon. English.
Included WorkSterbini, Cesare, 1784-1831 librettist.
Included WorkDent, Edward J. (Edward Joseph), 1876-1957 translator.
Included WorkMoody, John, 1906-1993, translator.
Included WorkMoody, Nell, translator.
Parallel title Barbiere di Siviglia
Portion of title Moses
Portion of title Moïse et Pharaon
SeriesOpera guide ; 36
Opera guide ; 36. ^A176004
Contents Rossini: the serious and the comic / Philip Gossett -- The composer at work / John Rosselli -- The roots of a masterpiece / Marco Spada -- A personal view of Rossini / Ubaldo Gardini -- Thematic guide -- 'Il barbiere di Siviglia' libretto / Cesare Sterbini -- 'The barber of Seville' English version / Edward J. Dent. Act one ; Act two -- Balzac, Stendhal and Rossini's 'Moses' / Pierluigi Petrobelli -- From sublime to Romantic / Richard Bernas -- Thematic guide -- 'Moise et Pharaon' libretto / Victor de Jouy and Louis Balochy -- 'Moses' English translation / John and Nell Moody. Act one ; Act two ; Act three ; Act four.
Abstract Rossini is one of the great operatic composers, an innovator in the whole concept of what was appropriate for serious as well as comic opera. Moses is a score which he revised for Paris, ten years after it had been composed for Naples; the result shows the evolution of his dramatic taste over a crucial decade from the neoclassical sublime to spectacular Romantic grand opera. The Barber has been a consistent favourite with the public and performers since it opened, and Marco Spada analyses how its stylish comedy has been misunderstood. Other essays throw light on the working conditions of the 'opera industry' in Rossini's Italy, on Balzac's delightful novel concerning Moses and on the exceptional challenge of performing this type of music well. Includes thematic guides and essays on Rossini and his music by Philip Gossett, John Rosselli, Marco Spada, Ubaldo Gardini, Pierluigi Petrobelli, and Richard Bernas.
General noteLibretto for the 1st work by C. Sterbini in Italian with English translation by Edward J. Dent; libretto for the 2nd work by L. Balocchi and A. Soumet in French with English translation by John and Nell Moody.
Bibliography noteIncludes bibliographical references (page 158) and discography (page 159).
LCCN 85052162
ISBN0714540803 (pbk.) :